1. From the Editor
  2. Patrick O'Donnell
  3. pp. 291-293
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  1. Passing from Paranoia to Plagiarism: the Abject Authorship of Nella Larsen
  2. Beverly Haviland
  3. pp. 295-318
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  1. Conrad's Pornography Shop
  2. Rishona Zimring
  3. pp. 319-348
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  1. The Crumbling Structure of "Appearances": Representation and Authenticity in The House of Mirth and The Custom of the Country
  2. Christopher Gair
  3. pp. 349-373
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  1. The "Work" of Science Fiction: Philip K. Dick and Occupational Masculinity in the Post-World War II United States
  2. Andrew P. Hoberek
  3. pp. 374-404
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  1. Translation, Invention, Resistance: Rewriting the Conquest in Carlos Fuentes's "The Two Shores"
  2. Paul Jay
  3. pp. 405-431
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  1. Removing the Veil: Race, Modernism, and Cultural Pluralism in Four Recent Studies of Twenties U.S. Culture
  2. Chip Rhodes
  3. pp. 432-449
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  1. Henry James, Gertrude Stein, and the Biographical Act (review)
  2. Neil Schmitz
  3. pp. 453-457
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  1. American Anatomies: Theorizing Race and Gender (review)
  2. Laura Doyle
  3. pp. 457-459
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  1. The Harlem Renaissance in Black and White (review)
  2. Charles Scruggs
  3. pp. 459-462
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  1. City Codes: Reading the Modern Urban Novel, and: Urban Verbs: Arts and Discourses of American Cities (review)
  2. Michael Greenstein
  3. pp. 462-467
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  1. American Expatriate Writing and the Paris Moment: Modernism and Place, and: Modern Lives: A Cultural Re-reading of "The Lost Generation" (review)
  2. Joseph C. Schöpp
  3. pp. 467-471
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  1. Hemingway: The Postwar Years and the Posthumous Novels (review)
  2. James Hughes Meredith
  3. pp. 471-474
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  1. Following Djuna: Women Lovers and the Erotics of Loss (review)
  2. Meryl Altman
  3. pp. 474-477
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  1. A Measure of Memory: Storytelling and Identity in American Jewish Fiction (review)
  2. Bonnie Lyons
  3. pp. 478-479
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  1. Beyond Suspicion: New American Fiction since 1960 (review)
  2. Irving Malin
  3. pp. 479-480
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  1. The Viet Nam War/The American War: Images and Representations in Euro-American and Vietnamese Exile Narratives (review)
  2. John Hellmann
  3. pp. 481-482
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  1. Dangerous Freedom: Fusion and Fragmentation in Toni Morrison's Novels (review)
  2. Malin Walther Pereira
  3. pp. 482-485
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  1. Ironie ist Pflicht: John Barth und John Hawkes Bewusstseinsformen des amerikanischen Gegenwartsromans (review)
  2. Wolfgang Iser
  3. pp. 486-492
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  1. Between Two Waters: Narratives of Transculturation in Latin America (review)
  2. Nina M. Scott
  3. pp. 492-494
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  1. The Ruling Passion: British Colonial Allegory and the Paradox of Homosexual Desire, and: Effeminate England: Homoerotic Writing After 1885 (review)
  2. Richard Morris
  3. pp. 495-501
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  1. Decadence and the Making of Modernism, and: The Ghosts of Modernity (review)
  2. Christian Moraru
  3. pp. 501-505
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  1. Modernism and the Theater of Censorship (review)
  2. M. Keith Booker
  3. pp. 505-507
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  1. Framing Pieces: Designs of the Gloss in Joyce, Woolf, and Pound (review)
  2. Kevin J. H. Dettmar
  3. pp. 508-510
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  1. Joyce, Decadence, and Emancipation (review)
  2. Susan Shaw Sailer
  3. pp. 510-512
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  1. James Joyce and the Art of Mediation (review)
  2. Susan Shaw Sailer
  3. pp. 513-515
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  1. Joyce, Bakhtin, and the Literary Tradition: Toward a Comparative Cultural Poetics (review)
  2. Mark Osteen
  3. pp. 515-517
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  1. Beckett Writing Beckett: The Author in the Autograph (review)
  2. Ann Shidlo
  3. pp. 517-519
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  1. The Shock of Men: Homosexual Hermeneutics in French Writing (review)
  2. Candace D. Lang
  3. pp. 520-522
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  1. Franz Kafka, The Jewish Patient (review)
  2. Walter Herbert Sokel
  3. pp. 522-527
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  1. Men, Women, and God(s): Nawal El Saadawi and Arab Feminist Poetics (review)
  2. Barbara Harlow
  3. pp. 528-530
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  1. Whose India?: The Independence Struggle in British and Indian Fiction and History (review)
  2. Asha Sen
  3. pp. 535-538
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  1. Narrating the Self: Fictions of Japanese Modernity, and: Writing Ground Zero: Japanese Literature and the Atomic Bomb (review)
  2. Sharalyn Orbaugh
  3. pp. 538-543
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  1. Cultural Politics -- Queer Reading (review)
  2. Dennis W. Allen
  3. pp. 544-546
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  1. After Derrida (review)
  2. Stephen Barker
  3. pp. 546-551
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  1. Time and Sense: Proust and the Experience of Literature (review)
  2. Rebecca Karoff
  3. pp. 551-556
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  1. Passions of the Voice: Hysteria, Narrative, and the Figure of the Speaking Woman, 1850-1915 (review)
  2. Dianne F. Sadoff
  3. pp. 557-559
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  1. The Cultural Politics of the New Criticism (review)
  2. Russell J. Reising
  3. pp. 559-562
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  1. Exotic Parodies: Subjectivity in Adorno, Spivak, and Said (review)
  2. Thomas C. Foster
  3. pp. 562-564
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  1. Ludic Feminism and After: Postmodernism, Desire, and Labor in Late Capitalism (review)
  2. Deborah M. Mix
  3. pp. 564-567
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  1. The Subject as Action: Transformation and Totality in Narrative Aesthetics (review)
  2. Wallace Martin
  3. pp. 567-568
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  1. Narrative as Rhetoric: Techniques, Audiences, Ethics, Ideology (review)
  2. Patrick D. Murphy
  3. pp. 568-570
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  1. Contributors
  2. p. 571
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