1. The Novel as War: Lies and Truth in Hemingway's A Farewell to Arms
  2. Margot Norris
  3. pp. 689-710
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  1. The Eye and the Gaze in Heart of Darkness : a Symptomological Reading
  2. Kimberly J. Devlin
  3. pp. 711-735
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  1. Thea Kronborgs's Vocal Transvestism: Willa Cather and the "Voz Contralto"
  2. John H. Flannigan
  3. pp. 737-763
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  1. Meditation and the Escalator Principle (on Nicholson Baker's The Mezzanine )
  2. Ross Chambers
  3. pp. 765-806
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  1. The Figure in the Static: White Noise
  2. Arthur M. Saltzman
  3. pp. 807-826
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  1. Henry James: History, Narrative, Fiction
  2. Stuart Culver
  3. pp. 831-833
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  1. Representing War: Form and Ideology in First World War Narratives
  2. Michael P. Clark
  3. pp. 833-835
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  1. Jean Toomer and the Prison-House of Thought: a Phenomenology of the Spirit
  2. Charles Scruggs
  3. pp. 835-837
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  1. Robbing the Mother: Women in Faulkner, and: Faulkner and Southern Womanhood
  2. Minrose Gwin
  3. pp. 838-844
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  1. Forensic Fictions: The Lawyer Figure in Faulkner
  2. Stephen M. Ross
  3. pp. 844-847
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  1. Modernism, Mass Culture, Professionalism
  2. David Bruce Suchoff
  3. pp. 847-849
  4. restricted access View |
  1. Late Imperial Romance, and: In the Name of National Security: Hitchcock, Homophobia, and the Political Construction of Gender in Postwar America
  2. Alan Nadel
  3. pp. 850-855
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  1. Supernatural Forces: Belief, Difference, and Power in Contemporary Works by Ethnic Women
  2. Catherine Rainwater
  3. pp. 855-857
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  1. Critifiction: Postmodern Essasy
  2. Stanley Trachtenberg
  3. pp. 857-859
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  1. The Play of the Double in Postmodern American Fiction
  2. Kathryn Hume
  3. pp. 859-861
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  1. The Novel in the Balance
  2. John Felicien Lorio
  3. pp. 861-863
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  1. The Vineland Papers: Critical Takes on Pynchon's Novel
  2. Douglas Keesey
  3. pp. 863-865
  4. restricted access View |
  1. That Art of Difference: "Documentary-Collage" and English Canadian Writing
  2. Carolyn Lesjak
  3. pp. 865-867
  4. restricted access View |
  1. Post-National Arguments: the Politics of the Anglophone Canadian Novel since 1967
  2. Arnold E. Davidson
  3. pp. 867-869
  4. restricted access View |
  1. Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood
  2. Lucy M. Freibert
  3. pp. 870-872
  4. restricted access View |
  1. Latin America's New Historical Novel
  2. Gareth Williams
  3. pp. 872-874
  4. restricted access View |
  1. Vargas Llosa Among the Postmodernists
  2. Lois Parkinson Zamora
  3. pp. 875-877
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  1. Narratives of Empire: the Fictions of Rudyard Kipling
  2. David Spurr
  3. pp. 878-880
  4. restricted access View |
  1. Joseph Conrad and the Modern Temper
  2. Elsa Nettels
  3. pp. 880-882
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  1. Sex in the Head: Visions of Femininity and Film in D. H. Lawrence
  2. Garry Leonard
  3. pp. 882-888
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  1. D. H. Lawrence: Aesthetics and Ideology
  2. Peter Balbert
  3. pp. 888-891
  4. restricted access View |
  1. The Antimodernism of Joyce's Portrait of the Artist as a Young Man
  2. Stephen Watt
  3. pp. 891-894
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  1. JOYCE: the Return of the Repressed
  2. Suzette A. Henke
  3. pp. 894-897
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  1. The Servant's Hand: English Fiction from Below
  2. Peter Hitchcock
  3. pp. 897-899
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  1. Changing States: Transformations in Modern Irish Writing
  2. Arthur E. McGuiness
  3. pp. 899-901
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  1. The Drama in the Text: Beckett's Late Fiction
  2. Stephen Barker
  3. pp. 901-905
  4. restricted access View |
  1. Making Bodies, Making History
  2. Susan Derwin
  3. pp. 906-908
  4. restricted access View |
  1. Russian Experimental Fiction: Resisting Ideology after Utopia
  2. Adele Marie Barker
  3. pp. 908-910
  4. restricted access View |
  1. Hot Property: the Stakes and Claims of Literary Originality
  2. Dana B. Polan
  3. pp. 911-913
  4. restricted access View |
  1. Bodies and Machines: review
  2. Timothy Sweet
  3. pp. 914-915
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  1. Literary Symbiosis: the Reconfigured Text in Twentieth Century Writing
  2. Robert Kiely
  3. pp. 916-918
  4. restricted access View |
  1. Anti-Apocalypse
  2. Michael Weinstein
  3. pp. 919-921
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  1. Closet Writing/Gay Reading
  2. Thomas Dukes
  3. pp. 921-923
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  1. Reflecting Black: African-American Cultural Criticism
  2. Jonathan Scott
  3. pp. 923-925
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  1. Critical Theory and the Novel: Mass Society and Cultural Criticism in Dickens, Melville, and Kafka
  2. Alan Singer
  3. pp. 926-927
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  1. The Well-Tempered Self: Citizenship, Culture, and the Postmodern Subject
  2. Lee Quinby
  3. pp. 928-929
  4. restricted access View |
  1. The Subject as Action: Transformation and Totality in Narrative Aesthetics
  2. Anthony J. Cascardi
  3. pp. 929-931
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  1. Maurice Blanchot and the Literature of Transgression (review)
  2. Herman Rapaport
  3. pp. 932-934
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  1. Theory as Resistance: Politics and Culture after (Post)structuralism
  2. Eyal Amiran
  3. pp. 934-936
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  1. Contributors
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