1. What the Public Wanted: Hollywood, 1937-1942
  2. Catherine Jurca
  3. pp. 3-25
  4. DOI: 10.1353/cj.2008.0012
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  1. Ingrid Bergman's Star Persona and the Alien Space of Stromboli
  2. Ora Gelley
  3. pp. 26-51
  4. DOI: 10.1353/cj.2008.0008
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  1. A Lotta Night Music: The Sound of Film Noir
  2. Richard R. Ness
  3. pp. 52-73
  4. DOI: 10.1353/cj.2008.0011
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  1. Suspenseful Situations: Melodramatic Narrative and the Contemporary Action Film
  2. Scott Higgins
  3. pp. 74-96
  4. DOI: 10.1353/cj.2008.0010
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  1. Guys Gone Wild?: Soft-Core Video Professionalism and New Realities in Television Production
  2. Vicki Mayer
  3. pp. 97-116
  4. DOI: 10.1353/cj.2008.0005
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  1. An Ethics and an Aesthetics of Interviewing
  2. Scott MacDonald
  3. pp. 123-129
  4. DOI: 10.1353/cj.2008.0002
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  1. Speaking of Soft Core
  2. Linda Ruth Williams
  3. pp. 129-135
  4. DOI: 10.1353/cj.2008.0013
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  1. The Recalcitrant Interviewee
  2. Mark Kermode
  3. pp. 135-141
  4. DOI: 10.1353/cj.2008.0014
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  1. Studying Up and F**cking Up: Ethnographic Interviewing in Production Studies
  2. Vicki Mayer
  3. pp. 141-148
  4. DOI: 10.1353/cj.2008.0007
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  1. After the Interview
  2. Brett Mills
  3. pp. 148-153
  4. DOI: 10.1353/cj.2008.0009
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  1. The Society for Cinema and Media Studies' Statement of Best Practices for Fair Use in Teaching for Film and Media Educators
  2. pp. 155-164
  3. DOI: 10.1353/cj.2008.0006
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  1. Archival News
  2. Scott Higgins, Sara Ross
  3. pp. 165-170
  4. DOI: 10.1353/cj.2008.0001
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  1. Introduction: Interviews in Film and Television Studies
  2. Christine Cornea
  3. pp. 117-123
  4. DOI: 10.1353/cj.2008.0000
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  1. Contributors
  2. pp. 153-154
  3. DOI: 10.1353/cj.2008.0003
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  1. Professional Notes
  2. Kirsten Moana Thompson, Terri Ginsberg
  3. pp. 171-181
  4. DOI: 10.1353/cj.2008.0004
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