1. Kuhle Wampe and the Problem of Corporal Culture
  2. Theodore F. Rippey
  3. pp. 3-25
  4. DOI: 10.1353/cj.2007.0058
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  1. Making a Go of It: Paternity and Prohibition in the Films of Wes Anderson
  2. Joshua Gooch
  3. pp. 26-48
  4. DOI: 10.1353/cj.2007.0050
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  1. Irresistible Death: 21 Grams as Melodrama
  2. Michael Stewart
  3. pp. 49-69
  4. DOI: 10.1353/cj.2007.0051
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  1. A Mexican Nouvelle Vague : The Logic of New Waves under Globalization
  2. Jeff Menne
  3. pp. 70-92
  4. DOI: 10.1353/cj.2007.0054
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  1. Exploitation Films: Teaching Sin in the Suburbs
  2. Eric Schaefer
  3. pp. 94-97
  4. DOI: 10.1353/cj.2007.0059
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  1. Racist Film: Teaching The Birth of a Nation
  2. Paul McEwan
  3. pp. 98-101
  4. DOI: 10.1353/cj.2007.0052
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  1. Misogynist Films: Teaching Top Gun
  2. Tania Modleski
  3. pp. 101-105
  4. DOI: 10.1353/cj.2007.0056
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  1. Teaching Indian Cinema
  2. Sumita S. Chakravarty
  3. pp. 105-108
  4. DOI: 10.1353/cj.2007.0048
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  1. Avant-Garde Films: Teaching Wavelength
  2. Michael Zryd
  3. pp. 109-112
  4. DOI: 10.1353/cj.2007.0053
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  1. Indecipherable Films: Teaching Gummo
  2. Jeffrey Sconce
  3. pp. 112-115
  4. DOI: 10.1353/cj.2007.0049
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  1. In Focus: Teaching "Difficult" Films: Introduction
  2. Paul McEwan
  3. pp. 93-94
  4. DOI: 10.1353/cj.2007.0055
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  1. Contributors - Cinema Journal 47:1
  2. pp. 115-116
  3. DOI: 10.1353/cj.2007.0057
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