restricted access   Volume 14, Number 4, November 2007

Table of Contents

From: Modernism/modernity

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Modernity with pictures: Hegel and Géricault

pp. 607-623
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Nietzsche among the Modernists: The Case of Wyndham Lewis

pp. 625-643
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Telling Descriptions: Frank Norris’s Kinetoscopic Naturalism and the Future of the Novel, 1899

pp. 645-668
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“As the Fashion in Books Shifted”: The Beautiful and Damned as Arc-Light Fiction

pp. 669-685
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Borderline, Sensation, and the Machinery of Expression

pp. 687-705
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“The Dangerous Art Where One Slip Means Death”: Dance and the Literary Imagination in Interwar Britain

pp. 707-727
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Perspectives USA and the Cultural Cold War: Modernism in Service of the State

pp. 729-754
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Review Essays

The Mechanic as Twentieth-Century Mona Lisa: Modernism’s Utopian Designs at the Corcoran Gallery

pp. 755-762
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Between Tolstoy and Nabokov: Ivan Bunin Revisited

pp. 763-769
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Book Reviews

The Word Made Self: Russian Writing on Language, 1860–1930 (review)

pp. 771-773
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Painting the Difference: Sex and Spectator in Modern Art (review)

pp. 773-774
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Classic Chic: Music, Fashion, and Modernism (review)

pp. 775-777
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T.S. Eliot and the Art of Collaboration (review)

pp. 777-779
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How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide (review)

pp. 780-781
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Samuel Beckett: Anatomy of a Literary Revolution (review)

pp. 781-783
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Unless the Threat of Death is Behind Them: Hard-Boiled Fiction and Film Noir (review)

pp. 783-785
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Designing the Seaside: Architecture, Nature and Society (review)

pp. 785-787
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History, Memory, and the Literary Left: Modern American Poetry, 1935–1968 (review)

pp. 787-788
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Feminism and the Abyss of Freedom (review)

pp. 788-790
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Recent Books of Interest

Recent Books of Interest

pp. 791-794
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