1. Women and the Western Art Canon: Where Are We Now?
  2. Marcia J. Citron
  3. pp. 209-215
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  1. Riffing the Canon
  2. David Schiff
  3. pp. 216-222
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  1. The Canon of Ethnomusicology: Is There One?
  2. Virginia Danielson
  3. pp. 223-231
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  1. Culture Wars, Canonicity, and A Basic Music Library
  2. Edward M. Komara
  3. pp. 232-247
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  1. The Quarter Note Tales (review)
  2. Bonna J. Boettcher
  3. pp. 259-260
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  1. Bibliographic Control of Music, 1897–2000 (review)
  2. Donna R. Campbell
  3. pp. 262-265
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  1. A Manual for the Performance Library (review)
  2. Jennifer Johnson
  3. pp. 265-266
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  1. Mozart and His Operas (review)
  2. Deborah Burton
  3. pp. 266-269
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  1. Remaking the Song: Operatic Visions and Revisions From Handel to Berio (review)
  2. Stephanie Bonjack
  3. pp. 269-271
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  1. C. P. E. Bach Studies (review)
  2. Doris Bosworth Powers
  3. pp. 271-273
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  1. The Symphony in Beethoven's Vienna (review)
  2. Bonnie Flemming
  3. pp. 273-275
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  1. The Price of Assimilation: Felix Mendelssohn and the Nineteenth-Century Anti-Semitic Tradition (review)
  2. John Michael Cooper
  3. pp. 275-278
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  1. Josephine Lang: Her Life and Songs (review)
  2. Marie Sumner Lott
  3. pp. 278-281
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  1. Brahms's Song Collections (review)
  2. Heather Anne Platt
  3. pp. 281-283
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  1. Gustav Mahler: "Mein lieber Trotzkopf, meine süße Mohnblume": Briefe an Anna von Mildenburg (review)
  2. James L. Zychowicz
  3. pp. 283-286
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  1. Edward Elgar, Modernist (review)
  2. Brien Weiner
  3. pp. 286-288
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  1. Classic Chic: Music, Fashion, and Modernism (review)
  2. Bonnie Jo Dopp
  3. pp. 288-291
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  1. Bartók, Hungary, and the Renewal of Tradition: Case Studies in the Intersection of Modernity and Nationality (review)
  2. Lynn Hooker
  3. pp. 291-293
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  1. Schoenberg's Transformation of Musical Language (review)
  2. Walter B. Bailey
  3. pp. 294-296
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  1. Maximum Clarity and Other Writings on Music (review)
  2. Andrew Granade
  3. pp. 296-298
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  1. The Music of Mauricio Kagel (review)
  2. Vincent Perez Benitez
  3. pp. 298-300
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  1. French Music Since Berlioz (review)
  2. Bruce Whiteman
  3. pp. 300-302
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  1. Music, Theatre and Politics in Germany: 1848 to the Third Reich (review)
  2. Stephen Luttmann
  3. pp. 302-306
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  1. After Sibelius: Studies in Finnish Music (review)
  2. Carl John Rahkonen
  3. pp. 306-308
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  1. Desperate Measures: The Life and Music of Antonia Padoani Bembo (review)
  2. Catherine Elizabeth Gordon-Seifert
  3. pp. 309-311
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  1. Nadia and Lili Boulanger (review)
  2. Kendra Preston Leonard
  3. pp. 311-313
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  1. Film Musings: A Selected Anthology from Fanfare Magazine (review)
  2. Edward Jurkowski
  3. pp. 313-315
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  1. The Lied and Art Songs Text Page (review)
  2. Ruthann Boles McTyre
  3. pp. 315-318
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  1. Books Recently Published
  2. Julia Graepel, Karen R. Little
  3. pp. 321-337
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  1. Classical Compact Disc Review Sources on the Web
  2. Keith Harris Cochran
  3. pp. 338-341
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  1. The Singer's Companion: A Guide to Improving Your Voice and Performance, and: Singing: The First Art (review)
  2. Ruthann Boles McTyre
  3. pp. 341-342
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  1. The Aria Database (review)
  2. Ruthann Boles McTyre
  3. pp. 342-344
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  1. CanCon on the Web: A Survey of Freely-Available Musical Canadiana
  2. Lisa Rae Philpott
  3. pp. 344-351
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 352-357
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  1. Die erste Walpurgisnacht: Ballade von Goethe für Chor und Orchester, op. 60 (review)
  2. R. Larry Todd
  3. pp. 358-360
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  1. Platée: Ballet bouffon en un prologue et trois actes, RCT 53 (review)
  2. Lois Rosow
  3. pp. 360-363
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  1. Sinfonie Nr. 8 in C, D 944 (review)
  2. Brian Newbould
  3. pp. 363-366
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 379-380
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 2001-2006
  2. Paula Hickner
  3. pp. 248-255
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  1. Notes for NOTES
  2. pp. 256-258
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  1. Music Received
  2. David Knapp
  3. pp. 371-378
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