1. Engendering Abstraction: Wassily Kandinsky, Gret Palucca, and "Dance Curves"
  2. Susan Laikin Funkenstein
  3. pp. 389-406
  4. DOI: 10.1353/mod.2007.0058
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  1. The Dialogics of Modernism(s) in the New Age
  2. Ann L. Ardis
  3. pp. 407-434
  4. DOI: 10.1353/mod.2007.0050
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  1. Egypto-Modernism: James Henry Breasted, H.D., and the New Past
  2. Marsha Bryant, Mary Ann Eaverly
  3. pp. 435-453
  4. DOI: 10.1353/mod.2007.0055
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  1. Tongues "loosened in the melting pot": The Poets of Others and the Lower East Side
  2. Cristanne Miller
  3. pp. 455-476
  4. DOI: 10.1353/mod.2007.0067
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  1. On the Question of Modernism and the "Authentic"
  2. Vincent B. Sherry
  3. pp. 481-487
  4. DOI: 10.1353/mod.2007.0075
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  1. Dalí's Inauthenticity
  2. Roger Rothman
  3. pp. 489-497
  4. DOI: 10.1353/mod.2007.0071
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  1. The Price of Authenticity: Modernism and Suicide in Baudelaire's "La Corde"
  2. Jared Stark
  3. pp. 499-506
  4. DOI: 10.1353/mod.2007.0077
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  1. Modernism, Mass Culture, and the Harlem Renaissance: The Case of Countee Cullen
  2. Jane Kuenz
  3. pp. 507-515
  4. DOI: 10.1353/mod.2007.0064
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  1. "A real honest-to-cripe jungle": Contested Authenticities in Helene Johnson's "Bottled"
  2. Katherine R. Lynes
  3. pp. 517-525
  4. DOI: 10.1353/mod.2007.0066
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  1. Authenticity: Modernity, Stardom, and Rock & Roll
  2. David R. Shumway
  3. pp. 527-533
  4. DOI: 10.1353/mod.2007.0076
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  1. Elizabeth Bishop and Paul Klee
  2. Peggy Samuels
  3. pp. 543-568
  4. DOI: 10.1353/mod.2007.0073
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  1. How to Explore a Field
  2. Richard Walsh
  3. pp. 569-572
  4. DOI: 10.1353/mod.2007.0078
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  1. British Modernism and Censorship (review)
  2. Geneviève Brassard
  3. pp. 573-575
  4. DOI: 10.1353/mod.2007.0054
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  1. T. E. Hulme and the Question of Modernism (review)
  2. Julian Hanna
  3. pp. 575-577
  4. DOI: 10.1353/mod.2007.0060
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  1. Hugh MacDiarmid's Poetry and Politics of Place: Imagining a Scottish Republic (review)
  2. Nancy K. Gish
  3. pp. 577-579
  4. DOI: 10.1353/mod.2007.0059
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  1. Wireless Writing in the Age of Marconi (review)
  2. Tim Armstrong
  3. pp. 579-580
  4. DOI: 10.1353/mod.2007.0051
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  1. Radio Modernism: Literature, Ethics, and the BBC, 1922–1938 (review)
  2. Debra Rae Cohen
  3. pp. 581-582
  4. DOI: 10.1353/mod.2007.0057
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  1. The Hollywood Studio System: A History (review)
  2. Matthew Bernstein
  3. pp. 582-584
  4. DOI: 10.1353/mod.2007.0052
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  1. James Laughlin, New Directions, and the Remaking of Ezra Pound (review)
  2. Tim Redman
  3. pp. 585-586
  4. DOI: 10.1353/mod.2007.0070
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  1. Berlin Childhood around 1900, and: On Hashish (review)
  2. Esther Leslie
  3. pp. 586-589
  4. DOI: 10.1353/mod.2007.0065
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  1. Paul Celan and Martin Heidegger: An Unresolved Conversation, 1951–1970 (review)
  2. Bruce Krajewski
  3. pp. 589-591
  4. DOI: 10.1353/mod.2007.0063
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  1. The Same Solitude: Boris Pasternak and Marina Tsvetaeva (review)
  2. Olga Peters Hasty
  3. pp. 591-592
  4. DOI: 10.1353/mod.2007.0061
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  1. Philip Roth's Rude Truth: The Art of Immaturity (review)
  2. Ranen Omer-Sherman
  3. pp. 592-594
  4. DOI: 10.1353/mod.2007.0069
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  1. Mocking the Age: The Later Novels of Philip Roth (review)
  2. Timothy Parrish
  3. pp. 595-596
  4. DOI: 10.1353/mod.2007.0068
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  1. Written in the Flesh: A History of Desire (review)
  2. Todd Shepard
  3. pp. 596-598
  4. DOI: 10.1353/mod.2007.0074
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  1. Pretend We're Dead: Capitalist Monsters in American Pop Culture (review)
  2. Darryl Jones
  3. pp. 598-600
  4. DOI: 10.1353/mod.2007.0062
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  1. Recent Books of Interest
  2. pp. 601-606
  3. DOI: 10.1353/mod.2007.0053
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  1. Introduction: MSA Peer Seminar Cluster: Modernist Authenticities
  2. Debra Rae Cohen, Kevin J. H. Dettmar
  3. pp. 477-479
  4. DOI: 10.1353/mod.2007.0056
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