Volume 24, Number 2, Fall 2007

Table of Contents

From: Asian Theatre Journal

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Editor's Note

pp. iii-iv
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An Addendum to "Myth and Reality: A Story of Kabuki under American Censorship, 1945–1949" ( Asian Theatre Journal 23, 1: 1–110)

pp. v-x
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Articles

Holy Week in the "Heart of the Philippines": Spirituality, Theatre, and Community in Marinduque's Moriones Festival

pp. 309-337
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Contemporary Wayang in Global Contexts

pp. 338-369
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Ninagawa Yukio's Intercultural Hamlet: Parsing Japanese Iconography

pp. 370-397
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Chinese Theatre, Confucianism, and Nationalism: Amateur Chinese Opera Tradition in Singapore

pp. 397-421
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Dying on the Stage in the Nāṭyaśāstra and Kūṭiyāṭṭam: Perspectives from the Sanskrit Theatre Tradition

pp. 422-439
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Performing the Globalized City: Contemporary Hong Kong Theatre and Global Connectivity

pp. 440-469
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Debut Panel Papers

The Emerging Role of the Director in Chinese Xiqu

pp. 470-504
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Nō as Sociopolitical Commentary: Staging Chinese Literati in Medieval Japanese Nō Theatre

pp. 505-517
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June Watanabe's Translation/Transformation of Japanese Nō in Contemporary Practice

pp. 518-530
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Book Reviews

Historical Dictionary of Japanese Traditional Theatre (review)

pp. 531-533
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Marionette Theatre in Quanzhou (review)

pp. 534-535
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Media Review

Shakuntala: A Play by Kalidasa (review)

pp. 536-538
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Color Insert

Color Insert