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  Volume 48, Number 2, Fall 2007

Table of Contents

From: Framework: The Journal of Cinema and Media

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pp. 5-8 | DOI: 10.1353/frm.2007.0018

War, Documentary and Iraq Dossier:

Film Truth in the Age of George W. Bush

pp. 9-35 | DOI: 10.1353/frm.2007.0015

The Production of Outrage: The Iraq War and the Radical Documentary Tradition

pp. 36-55 | DOI: 10.1353/frm.2007.0011

Your Country, My Country: How Films About The Iraq War Construct Publics

pp. 56-65 | DOI: 10.1353/frm.2007.0010

Public Domains: Engaging Iraq Through Experimental Digitalities

pp. 66-83 | DOI: 10.1353/frm.2007.0023

Show-Stoppers: 1937 And The Chance Encounter With Chiffons

pp. 84-110 | DOI: 10.1353/frm.2007.0016

What The Clerk Saw: Face To Face With The Wrong Man

pp. 111-136 | DOI: 10.1353/frm.2007.0017

Gunvor Nelson Dossier:

"Not Evident When You First See the Object": An Interview with Gunvor Nelson

pp. 137-148 | DOI: 10.1353/frm.2007.0019

A Display Case for Everyday Wonders

pp. 149-153 | DOI: 10.1353/frm.2007.0022

Signature, Translation and Resonance in Gunvor Nelson's Films

pp. 154-164 | DOI: 10.1353/frm.2007.0013

The Material and the Mimetic: On Gunvor Nelson's Personal Filmmaking

pp. 165-173 | DOI: 10.1353/frm.2007.0021

(G)Aping Women; Or, When A Man Plays The Fetish

pp. 174-200 | DOI: 10.1353/frm.2007.0012


Make Room For Straight Television

pp. 201-205 | DOI: 10.1353/frm.2007.0014

14th Annual African Film Festival (review)

pp. 206-208 | DOI: 10.1353/frm.2007.0009

The Sixth Tribeca Film Festival (review)

pp. 209-211 | DOI: 10.1353/frm.2007.0020

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