Volume 48, Number 2, Fall 2007

Table of Contents

From: Framework: The Journal of Cinema and Media

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Editorial

pp. 5-8
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War, Documentary and Iraq Dossier:

Film Truth in the Age of George W. Bush

pp. 9-35
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The Production of Outrage: The Iraq War and the Radical Documentary Tradition

pp. 36-55
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Your Country, My Country: How Films About The Iraq War Construct Publics

pp. 56-65
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Public Domains: Engaging Iraq Through Experimental Digitalities

pp. 66-83
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Show-Stoppers: 1937 And The Chance Encounter With Chiffons

pp. 84-110
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What The Clerk Saw: Face To Face With The Wrong Man

pp. 111-136
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Gunvor Nelson Dossier:

"Not Evident When You First See the Object": An Interview with Gunvor Nelson

pp. 137-148
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A Display Case for Everyday Wonders

pp. 149-153
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Signature, Translation and Resonance in Gunvor Nelson's Films

pp. 154-164
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The Material and the Mimetic: On Gunvor Nelson's Personal Filmmaking

pp. 165-173
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(G)Aping Women; Or, When A Man Plays The Fetish

pp. 174-200
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Reviews

Make Room For Straight Television

pp. 201-205
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14th Annual African Film Festival (review)

pp. 206-208
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The Sixth Tribeca Film Festival (review)

pp. 209-211
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