1. Rectifying Lasciviousness through Mystical Learning: An Exposition and Translation of Ruan Ji’s Essay on Music
  2. Reed Andrew Criddle
  3. pp. 44-70
  4. DOI: 10.1353/amu.2007.0034
  5. restricted access View | Download |
  1. Time, Gesture and Attention in a Khyāl Performance
  2. Martin Clayton
  3. pp. 71-96
  4. DOI: 10.1353/amu.2007.0032
  5. restricted access View | Download |
  1. The Naghma-ye Chārtuk of Afghanistan: A New Perspective on the Origin of a Solo Instrumental Genre
  2. Ahmad Naser Sarmast
  3. pp. 97-114
  4. DOI: 10.1353/amu.2007.0036
  5. restricted access View | Download |
  1. The Pia ’s Subtle Sustain: Contemporary Ethnic Identity and the Revitalization of the Lanna “Heart Harp”
  2. Andrew McGraw
  3. pp. 115-142
  4. DOI: 10.1353/amu.2007.0035
  5. restricted access View | Download |
  1. In Memoriam: T. K. Govind Vidyarthi (1912– 2006)
  2. Margaret E. Walker
  3. pp. 143-145
  4. DOI: 10.1353/amu.2007.0038
  5. restricted access View | Download |
  1. Such Are the Fading Sounds [Yue you ruci] (review)
  2. John Winzenburg
  3. pp. 146-148
  4. DOI: 10.1353/amu.2007.0039
  5. restricted access View | Download |
  1. The Komedie Stamboel: Popular Theater in Colonial Indonesia, 1891–1903 (review)
  2. Michael Bodden
  3. pp. 149-150
  4. DOI: 10.1353/amu.2007.0030
  5. restricted access View | Download |
  1. “Hori Hai”: A Festival of Colours!! (review)
  2. Shalini Ayyagari
  3. pp. 151-153
  4. DOI: 10.1353/amu.2007.0029
  5. restricted access View | Download |
  1. Mystic Sarod (review)
  2. David Trasoff
  3. pp. 154-156
  4. DOI: 10.1353/amu.2007.0037
  5. restricted access View | Download |
  1. About the Contributors
  2. pp. 157-159
  3. DOI: 10.1353/amu.2007.0033
  4. restricted access View | Download |