1. Broadcasting Modernity: Cuban Television, 1950-1953
  2. Yeidy M. Rivero
  3. pp. 3-25
  4. DOI: 10.1353/cj.2007.0028
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  1. Moving Pictures, Still Lives: Staging National Tableaux and Text in Prospero's Books
  2. Ryan S. Trimm
  3. pp. 26-53
  4. DOI: 10.1353/cj.2007.0032
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  1. The Surrealism of the Photographic Image: Bazin, Barthes, and the Digital Sweet Hereafter
  2. Adam Lowenstein
  3. pp. 54-82
  4. DOI: 10.1353/cj.2007.0024
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  1. Visual "Drive" and Cinematic Narrative: Reading Gaze Theory in Lacan, Hitchcock, and Mulvey
  2. Clifford T. Manlove
  3. pp. 83-108
  4. DOI: 10.1353/cj.2007.0025
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  1. In Focus: The 21st Century Archive
  2. Eric Schaefer
  3. pp. 109-114
  4. DOI: 10.1353/cj.2007.0029
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  1. Archives and Access in the 21st Century
  2. Rick Prelinger
  3. pp. 114-118
  4. DOI: 10.1353/cj.2007.0027
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  1. Regional Moving Image Archives in the United States
  2. Karan Sheldon
  3. pp. 118-123
  4. DOI: 10.1353/cj.2007.0030
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  1. The Role of Orphan Films in the 21st Century Archive
  2. Dan Streible
  3. pp. 124-128
  4. DOI: 10.1353/cj.2007.0031
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  1. The Archivist, The Scholar, and Access to Historic Television Materials
  2. Margaret Compton
  3. pp. 129-133
  4. DOI: 10.1353/cj.2007.0021
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  1. Collective Effort: Archiving LGBT Moving Images
  2. Lynne Kirste
  3. pp. 134-140
  4. DOI: 10.1353/cj.2007.0023
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  1. The Library of Congress National Audio-Visual Conservation Center
  2. Mike Mashon
  3. pp. 140-142
  4. DOI: 10.1353/cj.2007.0026
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  1. Contributors
  2. p. 142
  3. DOI: 10.1353/cj.2007.0022
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