1. Performance, Transitional Justice, and the Law: South Africa's Truth and Reconciliation Commission
  2. Catherine M. Cole
  3. pp. 167-187
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  1. "Manzanar, the eyes of the world are upon you": Performance and Archival Ambivalence at a Japanese American Internment Camp
  2. Emily Colborn-Roxworthy
  3. pp. 189-214
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  1. Ideology in Movement and a Movement in Ideology: The Deutsche Tanzfestspiele 1934 (9-16 December, Berlin)
  2. David Joseph Buch, Hana Worthen
  3. pp. 215-239
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  1. Conquer or Die: Staging Circum-Atlantic Revolt in Polly and Three-Finger'd Jack
  2. Peter P. Reed
  3. pp. 241-258
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  1. "I'm Just a Pen": Travel, Performance, and Orientalism in David Hare's Via Dolorosa and Acting Up
  2. Eitan Bar-Yosef
  3. pp. 259-277
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  1. Antigone (review)
  2. Mark Seamon
  3. pp. 279-281
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  1. Mother Courage and Her Children (review)
  2. Brett D. Johnson
  3. pp. 281-282
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  1. Fences (review)
  2. Marc E. Shaw
  3. pp. 282-284
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  1. Coriolanus (review)
  2. William Henry Spates
  3. pp. 284-285
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  1. Enemies, and: The Voysey Inheritance (review)
  2. Beth Watkins
  3. pp. 286-288
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  1. Rosmersholm (review)
  2. Byron Nelson
  3. pp. 288-290
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  1. The Ibsen Festival (review)
  2. Joan Templeton
  3. pp. 290-293
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  1. Ko Festival of Performance (review)
  2. Kermit Dunkelberg
  3. pp. 294-296
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  1. 15th Istanbul International Theatre Festival (review)
  2. Serap Erincin
  3. pp. 296-299
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  1. Wishuponastar: A Fatal Love Story (review)
  2. Chen Alon
  3. pp. 299-301
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  1. Tshepang (review)
  2. Betsy Rudelich Tucker
  3. pp. 301-302
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  1. La Piel (review)
  2. Ana Martinez
  3. pp. 302-303
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  1. Just Try Having None: Transmuting, Transcribing, Transfixing, Transfiguring, Transforming, Transcending Pain (review)
  2. Petra Kuppers
  3. pp. 303-305
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  1. The Falls (review)
  2. Charles N. Adams
  3. pp. 305-307
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  1. Corridos!! Ballads of the Borderlands (review)
  2. Carlos Morton
  3. pp. 307-309
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  1. ¡Gaytino! (review)
  2. Richard T. Rodríguez
  3. pp. 309-310
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  1. Some Men (review)
  2. Felicia J. Ruff
  3. pp. 310-312
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  1. Off Stage: The West Village Fragments (review)
  2. Marie Pecorari
  3. pp. 312-313
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  1. The Times They Are A-Changin' (review)
  2. Steve Earnest
  3. pp. 313-315
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  1. Eurydice (review)
  2. Miriam M. Chirico
  3. pp. 315-317
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  1. Performance Review Erratum
  2. p. 317
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  1. Staging Governance: Theatrical Imperialism in London, 1770-1800 (review)
  2. Ellen Donkin
  3. pp. 319-320
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  1. Actresses and Whores: On Stage and in Society (review)
  2. Kim Marra
  3. pp. 320-321
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  1. Aphra Behn: The Comedies (review)
  2. Ian M. Borden
  3. pp. 321-323
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  1. Performing Blackness on English Stages, 1500-1800 (review)
  2. Barbara Mackey
  3. pp. 323-324
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  1. Citizen Shakespeare: Freemen and Aliens in the Language of the Plays (review)
  2. Vanessa G. Baker
  3. pp. 324-325
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  1. Magic on the Early English Stage (review)
  2. Beth A. Kattelman
  3. pp. 325-326
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  1. The Glorious Deception: The Double Life of William Robinson, aka Chung Ling Soo, The "Marvelous Chinese Conjurer" (review)
  2. Christopher Stahl
  3. pp. 326-328
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  1. Laboring to Play: Home Entertainment and the Spectacle of Middle-Class Cultural Life, 1850-1920 (review)
  2. Peach Pittenger
  3. pp. 328-329
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  1. Intermediality in Theatre and Performance (review)
  2. Jason Farman
  3. pp. 329-330
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  1. Bertolt Brecht: Performance and Philosophy (review)
  2. James M. Brandon
  3. pp. 330-332
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  1. Theatre and Autobiography: Writing and Performing Lives in Theory and Practice, and: 1001 Beds: Performances, Essays, and Travels (review)
  2. Troy Dwyer
  3. pp. 332-333
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  1. Performance in America: Contemporary U.S. Culture and the Performing Arts (review)
  2. Theresa Smalec
  3. pp. 334-335
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  1. Staging the UK (review)
  2. Beth Hoffmann
  3. pp. 335-336
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  1. Dramaturgy: A Revolution in Theatre (review)
  2. Shelley Orr
  3. pp. 336-337
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  1. The Shakespearean Dramaturg: A Theoretical and Practical Guide (review)
  2. D. J. Hopkins
  3. pp. 337-339
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  1. Doctoral Projects in Progress in Theatre Arts, 2007
  2. James McDermott, Michael Novak
  3. pp. 343-346
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  1. Editorial Comment
  2. David Z. Saltz
  3. pp. ix-x
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