+ MUSE Alert

In this Issue

Table of Contents

  1. Lost Conventions of Godly Comedy in Udall's Thersites
  2. Robert Hornback
  3. pp. 281-303
  4. DOI: https://doi.org/10.1353/sel.2007.0016
  5. restricted access
  1. Wager's Drama of Conscience, Convention, and State Constitution
  2. Ineke Murakami
  3. pp. 305-329
  4. DOI: https://doi.org/10.1353/sel.2007.0018
  5. restricted access
  1. Language, Magic, the Dromios, and The Comedy of Errors
  2. Kent Cartwright
  3. pp. 331-354
  4. DOI: https://doi.org/10.1353/sel.2007.0014
  5. restricted access
  1. Henry V as a Royal Entry
  2. Anny Crunelle Vanrigh
  3. pp. 355-377
  4. DOI: https://doi.org/10.1353/sel.2007.0015
  5. restricted access
  1. Macbeth, the Jacobean Scot, and the Politics of the Union
  2. Sharon Alker, Holly Faith Nelson
  3. pp. 379-401
  4. DOI: https://doi.org/10.1353/sel.2007.0011
  5. restricted access
  1. The Character of Credit and the Problem of Belief in Middleton's City Comedies
  2. Aaron Kitch
  3. pp. 403-426
  4. DOI: https://doi.org/10.1353/sel.2007.0017
  5. restricted access
  1. Performing Devotion in The Masque of Blacknesse
  2. Molly Murray
  3. pp. 427-449
  4. DOI: https://doi.org/10.1353/sel.2007.0019
  5. restricted access
  1. Jonson's Masque Markets and Problems of Literary Ownership
  2. Alison V. Scott
  3. pp. 451-471
  4. DOI: https://doi.org/10.1353/sel.2007.0020
  5. restricted access
  1. The Domestication of Religious Objects in The White Devil
  2. Elizabeth Williamson
  3. pp. 473-490
  4. DOI: https://doi.org/10.1353/sel.2007.0021
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. Bruce Thomas Boehrer
  3. pp. 491-550
  4. DOI: https://doi.org/10.1353/sel.2007.0012
  5. restricted access
  1. Books Received
  3. pp. 543-551
  4. DOI: https://doi.org/10.1353/sel.2007.0013
  5. restricted access