1. Collaboration as Media
  2. Joel Slayton
  3. pp. 231-232
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  1. Geo/centr/e/i/city--The Earth as Center
  2. Fatima Lasay
  3. pp. 233-234
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  1. Gulo sa Bahay
  2. Aileen Familara
  3. pp. 235-238
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  1. Chaos and Form: A Sculptor's Sources in Science
  2. Athena Tacha
  3. pp. 239-245
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  1. Mori: An Internet-Based Earthwork
  2. Ken Goldberg, Randall Packer, Wojciech Matusik, Gregory Kuhn
  3. pp. 247-248
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  1. AUDIUM: Sound-Sculptured Space
  2. Stanley Shaff
  3. p. 248
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  1. Learning from the Cornell Box
  2. Simon Niedenthal
  3. pp. 249-254
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  1. Art Education and Urban Aesthetics
  2. Rachel de Sousa Vianna
  3. pp. 255-261
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  1. Aleksandr Drevin, Nadezhda Udal'tsova: An Exhibition That Never Was
  2. Kirill Sokolov
  3. pp. 263-269
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  1. Color Plates
  2. pp. 271-272
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  1. Artificial Evolution and Lifelike Creativity
  2. Arantza Etxeberria
  3. pp. 275-281
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  1. Simulated Aesthetics and Evolving Artworks: A Coevolutionary Approach
  2. Gary R. Greenfield
  3. pp. 283-289
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  1. New Naturality: A Generative Approach to Art and Design
  2. Celeste Soddu
  3. pp. 291-294
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  1. Internet Studios: Teaching Architectural Design On-Line between the United States and Latin America
  2. Alfredo Andia
  3. pp. 297-302
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  1. Life Drawing and 3D Figure Modeling with MAYA: Developing Alternatives to Photo-Realistic Modeling
  2. Gregory P. Garvey
  3. pp. 303-310
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  1. Composing an Interactive Virtual Opera: The Virtualis Project
  2. Alain Bonardi, Francis Rousseaux
  3. pp. 315-318
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  1. Life Drawing and 3D Figure Modeling with MAYA: Developing Alternatives to Photo-Realistic Modeling
  2. Gregory P. Garvey
  3. pp. 319-325
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  1. CAD and Creativity: Does the Computer Really Help?
  2. Bryan Lawson
  3. pp. 327-331
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  1. Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace (review)
  2. Curtis E. A. Karnow
  3. p. 332
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  1. Pure Immanence: Essays on a Life (review)
  2. Patricia Pisters
  3. pp. 332-333
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  1. Metaphors of Memory: A History of Ideas About the Mind (review)
  2. Robert Pepperell
  3. pp. 333-334
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  1. The Liberating Power of Symbols: Philosophical Essays, and: The Postnational Constellation: Political Essays (review)
  2. Sean Cubitt
  3. pp. 334-335
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  1. Vincent Van Gogh: Chemicals, Crisis, and Creativity (review)
  2. Roy R. Behrens
  3. p. 336
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  1. Blast: Vorticism 1914-1918 (review)
  2. Roy R. Behrens
  3. p. 336
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  1. Design Connoisseur: An Eclectic Collection of Imagery and Type, and: Texts on Type: Critical Writings on Typography (review)
  2. Roy R. Behrens
  3. pp. 336-337
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  1. George Nelson: The Design of Modern Design (review)
  2. Roy R. Behrens
  3. p. 337
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  1. The Postdigital Membrane: Imagination, Technology and Desire (review)
  2. Robert Mitchell
  3. pp. 337-338
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  1. Synaesthesia: The Strangest Thing (review)
  2. Paul Hertz
  3. pp. 338-339
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  1. Inhuman Reflections: Thinking the Limits of the Human (review)
  2. Curtis E. A. Karnow
  3. p. 339
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  1. Uncommon Ground: Architecture, Technology and Topology (review)
  2. Michael R. Mosher
  3. pp. 339-340
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  1. Displaying the Marvelous: Marcel Duchamp, Salvador Dali, and the Surrealist Exhibitions (review)
  2. David Surman
  3. p. 340
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  1. Annunciation (review)
  2. Mike Leggett
  3. pp. 340-341
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  1. Leonardo/ISAST News
  2. pp. 343-344
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  1. Small Channels for Deep Europe (Almost a Sermon)
  2. Andreas Broeckmann
  3. pp. 347-350
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  1. SIGGRAPH Educators Program: Special Section Introduction
  2. Colleen Case
  3. p. 296
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  1. Introduction: Creativity and Cognition--Perspectives from the Third Symposium: Part 2
  2. Linda Candy
  3. pp. 313-314
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  1. Music and Memory: An Introduction (review)
  2. Robert Pepperell
  3. pp. 335-336
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  1. Materials Received
  2. pp. 341-342
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