1. Human Consciousness and the Postdigital Analogue
  2. Michael Punt
  3. pp. 119-120
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  1. Mnemonic Notations: A Decade of Art Practice within a Digital Environment
  2. Phillip George
  3. pp. 121-127
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  1. The Library
  2. Nancy Paterson
  3. pp. 128-129
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  1. The Cosmophone: Toward a Sensuous Insight into Hidden Reality
  2. Claude Vallee
  3. p. 129
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  1. Fugitive and Archival: The Disappearing Print and the Drawing Left Behind
  2. Ronald Warunek
  3. pp. 129-130
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  1. The Ecological Imperative: Elements of Nature in Late Twentieth-Century Art
  2. Aleksandra Manczak, Malgorzata Musial
  3. pp. 131-136
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  1. Genetic Art and the Aesthetics of Biology
  2. Steve Tomasula
  3. pp. 137-144
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  1. Relazioni Emergenti: Experiments with the Art of Emergence
  2. Mauro Annunziato, Piero Pierucci
  3. pp. 147-152
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  1. Synthetic Harmonies: An Approach to Musical Semiosis by Means of Cellular Automata
  2. Eleonora Bilotta, Pietro Pantano
  3. pp. 153-159
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  1. Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art
  2. Christa Sommerer, Laurent Mignonneau
  3. pp. 161-169
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  1. Color Plate Section
  2. pp. 171-172
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  1. Ar T bitration: Human-Machine Interaction in Artistic Domains
  2. Artemis Moroni, Fernando von Zuben, Jonatas Manzolli
  3. pp. 185-188
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  1. SBART 2.4: An IEC Tool for Creating Two-Dimensional Images, Movies and Collages
  2. Tatsuo Unemi
  3. pp. 189-191
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  1. Evolutionary Cooperative Design Methodology: The Genetic Sculpture Park
  2. Duncan Rowland, Frank Biocca
  3. pp. 193-196
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  1. Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity
  2. V. M. Petrov
  3. pp. 197-202
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  1. The Construction of Jackson Pollock's Fractal Drip Paintings
  2. Richard P. Taylor, Adam P. Micolich, David Jonas
  3. pp. 203-207
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  1. Was El Greco Astigmatic?
  2. S. M. Anstis
  3. p. 208
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  1. Harry Partch: An Anthology of Critical Perspectives (review)
  2. Robert Coburn
  3. pp. 209-210
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  1. N (review)
  2. Mike Leggett
  3. pp. 210-211
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  1. Visualizations: The Nature Book of Art and Science (review)
  2. Wilfred Niels Arnold
  3. p. 212
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  1. Ptolemy's Geography: An Annotated Translation of the Theoretical Chapters (review)
  2. David Topper
  3. pp. 212-213
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  1. I Levitate: What's Next (review)
  2. Robert Pepperell
  3. pp. 213-214
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  1. How to Build a Mind: Toward Machines with Imagination (review)
  2. Curtis E. A. Karnow
  3. p. 214
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  1. How to Build a Mind: Toward Machines with Imagination (review)
  2. Robert Pepperell
  3. pp. 214-216
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  1. Art, Technology, Consciousness: Mind@Large (review)
  2. Paul Hertz
  3. pp. 216-217
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  1. Spacefaring: The Human Dimension (review)
  2. Clifford A. Pickover
  3. p. 217
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  1. Winded: Works for Organ and Tape By, Of and For Kenneth Gaburo (review)
  2. Robert Coburn
  3. pp. 217-218
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  1. Playtime, and: Barcode Music (review)
  2. Robert Pepperell
  3. p. 218
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  1. 8 Pieces, and: Happily Ever After (review)
  2. Michael R. Mosher
  3. p. 219
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  1. Locus Solus--Site, Identity, Technology and Contemporary Art (review)
  2. Mike Leggett
  3. pp. 219-220
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  1. Ars Electronica 2001 (review)
  2. Michael Punt
  3. pp. 220-221
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  1. Prometheus-2000: International Conference on the Destiny of Light-Music at the Threshold of the New Century (review)
  2. V Basov
  3. p. 221
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  1. Light, Darkness, and Colors (review)
  2. Roy R. Behrens
  3. pp. 221-222
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  1. Introducing the LDR Panelists
  2. p. 223
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  1. The Role of Artists and Scientists in Times of War
  2. Matjuska Teja Krasek, Nives Sulic-Dular
  3. pp. 228-230
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  1. Introduction: Genetic Algorithms in Visual Art and Music
  2. Colin G. Johnson, Romero Cardalda, Juan Jesus
  3. pp. 175-184
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  1. Practices of Looking: An Introduction to Visual Culture (review)
  2. Sean Cubitt
  3. pp. 211-212
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  1. Materials Received
  2. pp. 222-223
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