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In this Issue

Table of Contents

  1. "Is everything history?": Churchill, Barker, and the Modern History Play
  2. Brean S. Hammond
  3. pp. 1-23
  4. DOI: https://doi.org/10.1353/cdr.2007.0004
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  1. Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament
  2. Michael Mark Chemers
  3. pp. 25-55
  4. DOI: https://doi.org/10.1353/cdr.2007.0002
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  1. "My condicion is mannes soule to kill" \-\- Everyman's Mercantile Salvation
  2. Roger A. Ladd
  3. pp. 57-78
  4. DOI: https://doi.org/10.1353/cdr.2007.0008
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  1. Shakespeare's Julius Caesar, Erasmus's De Copia, and Sentential Ambiguity
  2. Jeffrey J. Yu
  3. pp. 79-106
  4. DOI: https://doi.org/10.1353/cdr.2007.0012
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  1. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (review)
  2. Brian Johnston
  3. pp. 107-111
  4. DOI: https://doi.org/10.1353/cdr.2007.0007
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  1. Staging Dario Fo and Franca Rame: Anglo-American Approaches to Political Theatre (review)
  2. Serena Anderlini-D'Onofrio
  3. pp. 115-119
  4. DOI: https://doi.org/10.1353/cdr.2007.0000
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  1. Pseudonymous Shakespeare: Rioting Language in the Sidney Circle (review)
  2. Gary F. Waller
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/cdr.2007.0011
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  1. The Italian Encounter with Tudor England: A Cultural Politics of Translation (review)
  2. Jane Tylus
  3. pp. 122-125
  4. DOI: https://doi.org/10.1353/cdr.2007.0010
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  1. Brian Friel's Dramatic Artistry: "The Work Has Value" (review)
  2. Maria Germanou
  3. pp. 126-129
  4. DOI: https://doi.org/10.1353/cdr.2007.0003
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  1. Absence and Memory in Colonial American Theatre: Fiorelli's Plaster (review)
  2. James S. Moy
  3. pp. 129-132
  4. DOI: https://doi.org/10.1353/cdr.2007.0009
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  1. Komedie Stamboel: Popular Theatre in Colonial Indonesia, 1891-1903 (review)
  2. Jörgen Hellman
  3. pp. 132-136
  4. DOI: https://doi.org/10.1353/cdr.2007.0005
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  1. Brief Notices
  2. pp. 137-140
  3. DOI: https://doi.org/10.1353/cdr.2007.0001
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