1. Amazonian Knots: Gender, Genre and Ariosto's Women Warriors
  2. J Chimène Bateman
  3. pp. 1-20
  4. DOI: 10.1353/mln.2007.0022
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  1. Charming the Cobra with a Ballpoint Pen: Liminality and Spectacular Authorship in Pier Paolo Pasolini's Interviews
  2. Simona Bondavalli
  3. pp. 24-45
  4. DOI: 10.1353/mln.2007.0023
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  1. Rewriting Race Law: Primo Levi's La tregua
  2. James Thomas Chiampi
  3. pp. 80-100
  4. DOI: 10.1353/mln.2007.0025
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  1. Marsilio Ficino and Vatic Myth
  2. Raphael Falco
  3. pp. 101-122
  4. DOI: 10.1353/mln.2007.0027
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  1. Modalità di contatto tra Decameron e Corbaccio: Giovenale nella novella di Madonna Sismonda ( Dec. VII 8)
  2. Elsa Filosa
  3. pp. 123-132
  4. DOI: 10.1353/mln.2007.0028
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  1. Philology and Theology in Petrarch
  2. Joachim Küpper
  3. pp. 133-147
  4. DOI: 10.1353/mln.2007.0030
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  1. "Partire da sé e non farsi trovare." Il porto di Toledo: Storia di un'autobiografia fantastica.
  2. Cosetta Seno Reed
  3. pp. 148-166
  4. DOI: 10.1353/mln.2007.0033
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  1. Double Authorship: Prophetic and Poetic Inspiration in Dante's Paradise
  2. Gerhard Regn
  3. pp. 167-185
  4. DOI: 10.1353/mln.2007.0034
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  1. Tasso's Petrarch: The Lyric Means to Epic Ends
  2. Ayesha Ramachandran
  3. pp. 186-208
  4. DOI: 10.1353/mln.2007.0032
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  1. Under Arturo's Star: The Cultural Legacies of Elsa Morante (review)
  2. Giovanna De Luca
  3. pp. 209-210
  4. DOI: 10.1353/mln.2007.0031
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  1. Experiencing the Afterlife: Soul and Body in Dante and Medieval Culture (review)
  2. Francesco Ciabattoni
  3. pp. 211-212
  4. DOI: 10.1353/mln.2007.0026
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  1. Tutti i romanzi (review)
  2. Stefano Giannini
  3. pp. 213-215
  4. DOI: 10.1353/mln.2007.0029
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