1. Suzanne Lacy's Three Weeks in May: Feminist Activist Performance Art as "Expanded Public Pedagogy"
  2. Vivien Green Fryd
  3. pp. 23-38
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  1. And Introducing. . . The Female Director: Documentaries about Women Filmmakers as Feminist Activism
  2. Kelly Hankin
  3. pp. 59-88
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  1. Code Pink, Raging Grannies, and the Missile Dick Chicks: Feminist Performance Activism in the Contemporary Anti-War Movement
  2. Rachel V. Kutz-Flamenbaum
  3. pp. 89-105
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  1. 'Growing the Size of the Black Woman': Feminist Activism in Havana Hip Hop
  2. Ronni Armstead
  3. pp. 106-117
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  1. Iconographies of Gender, Poverty, and Power in Contemporary South African Visual Culture
  2. Kim Miller
  3. pp. 118-136
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  1. Profile: Beverly Naidus's Feminist Activist Art Pedagogy: Unleashed and Engaged
  2. Beverly Naidus
  3. pp. 137-155
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  1. Feminist Activist Art: Losing the Edge?
  2. Estella Lauter
  3. pp. 156-165
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  1. Bridging Feminist Art, Activism, and Theory: A Review of Three Contemporary Texts
  2. Jessica Dallow
  3. pp. 166-174
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  1. Art, Activism, and Feminisms: Sites of Confrontation and Change
  2. Julie Shaw Cole
  3. pp. 175-180
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  1. Rethinking the F Word: A Review of Activist Art on the Internet
  2. Mary Flanagan, Suyin Looui
  3. pp. 181-200
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  1. Modernity and the Renegotiation of Gendered Space: A Review Essay
  2. Elizabeth Birmingham
  3. pp. 201-210
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  1. Creating Their Own Image: The History of African-American Women Artists (review)
  2. Renée Ater
  3. pp. 211-217
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  1. Grassroots: A Field Guide for Feminist Activism (review)
  2. Amber E. Kinser
  3. pp. 217-219
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  1. The Church on the Margins: Living Christian Community (review)
  2. Therese Lysaught
  3. pp. 219-221
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  1. Threads: Gender, Labor, and Power in the Global Apparel Industry (review)
  2. Kathleen A. Staudt
  3. pp. 221-223
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  1. Competing Devotions: Career and Family among Women Executives (review)
  2. Susan R. Cody
  3. pp. 223-225
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  1. Adrienne Rich: The Moment of Change (review)
  2. Helen Emmitt
  3. pp. 226-227
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  1. Considering Feminist Activist Art
  2. Mary Jo Aagerstoun, Elissa Auther
  3. pp. vii-xiv
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