1. Remapping Theatre History
  2. Steve Tillis
  3. pp. 1-19
  4. DOI: 10.1353/tt.2007.0012
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  1. Yes, No, Maybe: A Position Statement from Midstream
  2. Dorothy Chansky
  3. pp. 21-27
  4. DOI: 10.1353/tt.2007.0004
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  1. First Contact-Introductory Courses
  2. Ronald Harold Wainscott
  3. pp. 29-31
  4. DOI: 10.1353/tt.2007.0013
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  1. History in the Directing Curriculum: Major Directors, Theory and Practice
  2. James Peck
  3. pp. 33-35
  4. DOI: 10.1353/tt.2007.0010
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  1. Theatre Squared: Theatre History in the Age of Media
  2. Sarah Bay-Cheng
  3. pp. 37-50
  4. DOI: 10.1353/tt.2007.0001
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  1. In Defense of Pleasure: Musical Theatre History in the Liberal Arts [A Manifesto]
  2. Stacy Ellen Wolf
  3. pp. 51-60
  4. DOI: 10.1353/tt.2007.0014
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  1. Stanley McCandless, Lighting History, and Me
  2. Linda Essig
  3. pp. 61-67
  4. DOI: 10.1353/tt.2007.0008
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  1. Theatre History, Undergraduates, and Critical Thought
  2. Erica Stevens Abbitt
  3. pp. 69-79
  4. DOI: 10.1353/tt.2007.0000
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  1. The Theatre Historian as Rock Star, or Six Axioms for a New Theatre History Text
  2. Henry Bial
  3. pp. 81-86
  4. DOI: 10.1353/tt.2007.0002
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  1. Theatre History Explained (review)
  2. Carolyn D. Roark
  3. pp. 87-88
  4. DOI: 10.1353/tt.2007.0011
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  1. Plays Onstage: An Anthology (review)
  2. Kristin Crouch
  3. p. 90
  4. DOI: 10.1353/tt.2007.0006
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  1. Stage Combat Resource Materials: A Selected and Annoted Bibliography (review)
  2. Prairie Endres-Parnell
  3. pp. 90-91
  4. DOI: 10.1353/tt.2007.0007
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  1. A Note from the Editor
  2. Jonathan L. Chambers
  3. pp. vi-viii
  4. DOI: 10.1353/tt.2007.0003
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  1. Theatre Histories: An Introduction (review)
  2. Dorothy Chansky
  3. pp. 91-92
  4. DOI: 10.1353/tt.2007.0005
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