1. The Pūrvī in Bhojpurī-Speaking India: Structure and Flux in a Disappearing Genre
  2. Edward O. Henry
  3. pp. 1-33
  4. DOI: 10.1353/amu.2007.0005
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  1. Gamelan Manikasanti : One Ensemble, Many Musics
  2. Wayan Sinti, Annette E. Sanger
  3. pp. 34-57
  4. DOI: 10.1353/amu.2007.0011
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  1. Musical Healing in Eastern Tajikistan: Transforming Stress and Depression through Falak Performance
  2. Benjamin D. Koen
  3. pp. 58-83
  4. DOI: 10.1353/amu.2007.0006
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  1. Nice 'N' Easy-the Balinese Gamelan Rindik: Its Music, Musicians, and Value as Tourist Art
  2. Kendra Stepputat
  3. pp. 84-121
  4. DOI: 10.1353/amu.2007.0012
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  1. "The First Indian Tune That Ever Was Wrote Out": An Early Example of "World Hymnody" from the Subcontinent
  2. David W. Music
  3. pp. 122-140
  4. DOI: 10.1353/amu.2007.0007
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  1. Wayan Gandera Redux
  2. Ruby Sue Ornstein
  3. pp. 141-146
  4. DOI: 10.1353/amu.2007.0008
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  1. China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997 (review)
  2. Cynthia P. Wong
  3. pp. 147-150
  4. DOI: 10.1353/amu.2007.0014
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  1. "If Each Comes Halfway": Meeting Tamang Women in Nepal (review)
  2. Paul D. Greene
  3. pp. 150-153
  4. DOI: 10.1353/amu.2007.0003
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  1. Les Feux de la Deesse: Rituels villageois du Kerala (Inde du Sud) (review)
  2. Rolf Groesbeck
  3. pp. 153-157
  4. DOI: 10.1353/amu.2007.0004
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  1. Qambel Maran: Syriac Chants from South India (review)
  2. Zoe C. Sherinian
  3. pp. 158-161
  4. DOI: 10.1353/amu.2007.0010
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  1. KERALA: (Inde du Sud/South India). Le chant des Pulluvan/Pulluvan Songs (review)
  2. Joseph J. Palackal
  3. pp. 161-164
  4. DOI: 10.1353/amu.2007.0009
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  1. Music of Makran: Traditional Fusion from Coastal Balochistan (review)
  2. Michael Frishkopf
  3. pp. 164-171
  4. DOI: 10.1353/amu.2007.0002
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  1. Addendum: A Response to Kagan's Review of Huju: Traditional Opera in Modern Shanghai
  2. Jonathan P. J. Stock
  3. pp. 176-177
  4. DOI: 10.1353/amu.2007.0013
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  1. About the Contributors
  2. pp. 178-181
  3. DOI: 10.1353/amu.2007.0001
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