restricted access   Volume 59, Number 1, March 2007

Table of Contents

From: Theatre Journal

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Editorial comment

pp. ix-x
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Mo(u)rning in America: Hamlet, Reagan, and the Rights of Memory

pp. 1-20
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Toward a Rhetoric of Sociospatial Theatre: José Rivera's Marisol

pp. 21-37
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Daniel Mesguich's Shakespearean Play: Performing the Shakespeare Myth

pp. 39-55
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Theatrical Temporality and Historical Consciousness in The Famous Victories of Henry V

pp. 57-73
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From Playhouse to P2P Network: The History and Theory of Performance under Copyright Law in the United States

pp. 75-95
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Performance Review

Rockaby, and: Ohio Impromptu, and: Eh Joe, and: Pas Moi (Not I), and: Krapp's Last Tape (review)

pp. 97-101
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All That Fall (review)

pp. 101-102
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Woman and Scarecrow (review)

pp. 102-103
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Huddersfield (review)

pp. 103-106
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Gentlemen Volunteers, and: Mission to Mercury, and: Love Unpunished (review)

pp. 106-110
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Heartbreak House (review)

pp. 110-112
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Thousand Nights (review)

pp. 112-116
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My Name is Rachel Corrie (review)

pp. 116-117
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Revolutionary City (review)

pp. 117-119
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Santiago (review)

pp. 119-121
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Hecuba, and: The Seven (review)

pp. 121-123
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Grendel: The Transcendence of the Great Big Bad (review)

pp. 124-126
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The Cherry Orchard (review)

pp. 127-129
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Hedda Gabler, and: Heddatron (review)

pp. 129-132
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Hotel Cassiopeia (review)

pp. 132-134
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Rabbit Hole (review)

pp. 134-135
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Lady Madeline (review)

pp. 135-138
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A Lovely Sunday for Creve Coeur (review)

pp. 138-139
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Performance Review Erratum

p. 139
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Book Review

Beautiful Boys / Outlaw Bodies: Devising Kabuki Female Likeness (review)

pp. 141-142
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Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)

pp. 142-143
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Staging Gertrude Stein: Absence, Culture, and the Landscape of American Alternative Theatre (review)

pp. 143-144
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Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)

pp. 145-146
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Theatre of Catastrophe: New Essays on Howard Barker (review)

pp. 146-147
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Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923-1937 (review)

pp. 147-148
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Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and its Performers (review)

pp. 149-150
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On Broadway: Art and Commerce on the Great White Way (review)

pp. 150-151
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Latin American Women On/In Stages (review)

pp. 151-152
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AIDS and American Apocalypticism: The Cultural Semiotics of an Epidemic (review)

pp. 152-153
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Electoral Guerrilla Theatre: Radical Ridicule and Social Movements (review)

pp. 153-154
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Theatre in Prison: Theory and Practice (review)

pp. 155-156
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Drama, Theatre, and Identity in the American New Republic (review)

pp. 156-157
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Children of the Queen's Revels: A Jacobean Theatre Repertory (review)

pp. 157-158
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Gentility and the Comic Theatre of Late Stuart London (review)

pp. 158-159
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Books Received

Books Received

pp. 160-164
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