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  Volume 59, Number 1, March 2007

Table of Contents

From: Theatre Journal

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Editorial comment

pp. ix-x | DOI: 10.1353/tj.2007.0056

Mo(u)rning in America: Hamlet, Reagan, and the Rights of Memory

pp. 1-20 | DOI: 10.1353/tj.2007.0070

Toward a Rhetoric of Sociospatial Theatre: José Rivera's Marisol

pp. 21-37 | DOI: 10.1353/tj.2007.0076

Daniel Mesguich's Shakespearean Play: Performing the Shakespeare Myth

pp. 39-55 | DOI: 10.1353/tj.2007.0053

Theatrical Temporality and Historical Consciousness in The Famous Victories of Henry V

pp. 57-73 | DOI: 10.1353/tj.2007.0075

From Playhouse to P2P Network: The History and Theory of Performance under Copyright Law in the United States

pp. 75-95 | DOI: 10.1353/tj.2007.0055

Performance Review

Rockaby, and: Ohio Impromptu, and: Eh Joe, and: Pas Moi (Not I), and: Krapp's Last Tape (review)

pp. 97-101 | DOI: 10.1353/tj.2007.0058

All That Fall (review)

pp. 101-102 | DOI: 10.1353/tj.2007.0067

Woman and Scarecrow (review)

pp. 102-103 | DOI: 10.1353/tj.2007.0068

Huddersfield (review)

pp. 103-106 | DOI: 10.1353/tj.2007.0069

Gentlemen Volunteers, and: Mission to Mercury, and: Love Unpunished (review)

pp. 106-110 | DOI: 10.1353/tj.2007.0064

Heartbreak House (review)

pp. 110-112 | DOI: 10.1353/tj.2007.0077

Thousand Nights (review)

pp. 112-116 | DOI: 10.1353/tj.2007.0080

My Name is Rachel Corrie (review)

pp. 116-117 | DOI: 10.1353/tj.2007.0047

Revolutionary City (review)

pp. 117-119 | DOI: 10.1353/tj.2007.0063

Santiago (review)

pp. 119-121 | DOI: 10.1353/tj.2007.0065

Hecuba, and: The Seven (review)

pp. 121-123 | DOI: 10.1353/tj.2007.0042

Grendel: The Transcendence of the Great Big Bad (review)

pp. 124-126 | DOI: 10.1353/tj.2007.0045

The Cherry Orchard (review)

pp. 127-129 | DOI: 10.1353/tj.2007.0057

Hedda Gabler, and: Heddatron (review)

pp. 129-132 | DOI: 10.1353/tj.2007.0066

Hotel Cassiopeia (review)

pp. 132-134 | DOI: 10.1353/tj.2007.0049

Rabbit Hole (review)

pp. 134-135 | DOI: 10.1353/tj.2007.0052

Lady Madeline (review)

pp. 135-138 | DOI: 10.1353/tj.2007.0060

A Lovely Sunday for Creve Coeur (review)

pp. 138-139 | DOI: 10.1353/tj.2007.0079

Performance Review Erratum

p. 139 | DOI: 10.1353/tj.2007.0051

Book Review

Beautiful Boys / Outlaw Bodies: Devising Kabuki Female Likeness (review)

pp. 141-142 | DOI: 10.1353/tj.2007.0050

Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)

pp. 142-143 | DOI: 10.1353/tj.2007.0059

Staging Gertrude Stein: Absence, Culture, and the Landscape of American Alternative Theatre (review)

pp. 143-144 | DOI: 10.1353/tj.2007.0040

Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance (review)

pp. 145-146 | DOI: 10.1353/tj.2007.0072

Theatre of Catastrophe: New Essays on Howard Barker (review)

pp. 146-147 | DOI: 10.1353/tj.2007.0048

Messiah of the New Technique: John Howard Lawson, Communism, and American Theatre, 1923-1937 (review)

pp. 147-148 | DOI: 10.1353/tj.2007.0041

Vaudeville Wars: How the Keith-Albee and Orpheum Circuits Controlled the Big-Time and its Performers (review)

pp. 149-150 | DOI: 10.1353/tj.2007.0061

On Broadway: Art and Commerce on the Great White Way (review)

pp. 150-151 | DOI: 10.1353/tj.2007.0078

Latin American Women On/In Stages (review)

pp. 151-152 | DOI: 10.1353/tj.2007.0062

AIDS and American Apocalypticism: The Cultural Semiotics of an Epidemic (review)

pp. 152-153 | DOI: 10.1353/tj.2007.0054

Electoral Guerrilla Theatre: Radical Ridicule and Social Movements (review)

pp. 153-154 | DOI: 10.1353/tj.2007.0074

Theatre in Prison: Theory and Practice (review)

pp. 155-156 | DOI: 10.1353/tj.2007.0044

Drama, Theatre, and Identity in the American New Republic (review)

pp. 156-157 | DOI: 10.1353/tj.2007.0046

Children of the Queen's Revels: A Jacobean Theatre Repertory (review)

pp. 157-158 | DOI: 10.1353/tj.2007.0071

Gentility and the Comic Theatre of Late Stuart London (review)

pp. 158-159 | DOI: 10.1353/tj.2007.0073

Books Received

Books Received

pp. 160-164 | DOI: 10.1353/tj.2007.0043

Research Areas


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