1. Color Insert Plates
  2. pp. 1-2
  3. DOI: 10.1353/atj.2007.0003
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  1. Suehirogari (The Fan of Felicity)
  2. Andrew Takahisa Tsubaki
  3. pp. 1-18
  4. DOI: 10.1353/atj.2007.0026
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  1. Shimizu (Spring Water): Translating Shimizu for a Western Audience
  2. Yuriko Doi, Lluis Valls, Jubilith Moore
  3. pp. 19-33
  4. DOI: 10.1353/atj.2007.0004
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  1. Sakon Zaburō (Sakon Zaburō, the Hunter)
  2. Micah Auerback
  3. pp. 34-49
  4. DOI: 10.1353/atj.2007.0000
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  1. Chakagi Zatō (The Tea Sniffing Blind Men)
  2. Carolyn Ann Morley
  3. pp. 50-60
  4. DOI: 10.1353/atj.2007.0019
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  1. Mikazuki (Winnowing Love)
  2. Jonah Salz
  3. pp. 61-73
  4. DOI: 10.1353/atj.2007.0021
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  1. Oko Sako (Oko and Sako): Wawashii Woman in the Kyōgen Oka and Sako
  2. Minae Yamamoto Savas
  3. pp. 74-86
  4. DOI: 10.1353/atj.2007.0023
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  1. Susugigawa (The Washing River): An Instant Classic
  2. Julie Iezzi, Jonah Salz
  3. pp. 87-104
  4. DOI: 10.1353/atj.2007.0013
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  1. Ana (Hole): A Modern Kyōgen Play
  2. Asaya Fujita, Yukihiro Goto
  3. pp. 105-123
  4. DOI: 10.1353/atj.2007.0008
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  1. Japannequins : A New Bilingual Kyōgen Based on the Traditional Kyōgen Roku Jizō ( Six Jizō)
  2. Osada Sadao, Jonah Salz
  3. pp. 124-143
  4. DOI: 10.1353/atj.2007.0020
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  1. Kyōgen in the Postwar Era
  2. Seki Kobayashi, Shinko Kagaya
  3. pp. 144-177
  4. DOI: 10.1353/atj.2007.0015
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  1. Trapping The Fox and the Trapper : Maruishi Yasushi's Challenging Debut
  2. Jonah Salz
  3. pp. 178-196
  4. DOI: 10.1353/atj.2007.0022
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  1. Tradition in Transition: The Shigeyama Chūzaburō Kyōgen Family Looks to the Future
  2. John Kuzel
  3. pp. 197-210
  4. DOI: 10.1353/atj.2007.0017
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  1. Kyōgen in English: A Bibliography
  2. Julie Iezzi
  3. pp. 211-234
  4. DOI: 10.1353/atj.2007.0014
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  1. Theatre of Yugen's Direction of Kyōgen in English and Kyōgen Fusion Plays
  2. Yuriko Doi
  3. pp. 247-261
  4. DOI: 10.1353/atj.2007.0005
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  1. Muromachi Musicals: Resetting Kyōgen in a Modern Medium
  2. Gart T. Westerhout
  3. pp. 262-268
  4. DOI: 10.1353/atj.2007.0027
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  1. A Set of Kyōgen Adaptations: Henry Livings's Pongo Plays
  2. Anthony Graham-White
  3. pp. 269-277
  4. DOI: 10.1353/atj.2007.0010
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  1. The Drunkard's Revenge, and: Love's Labor (review)
  2. Masae Suzuki
  3. pp. 278-284
  4. DOI: 10.1353/atj.2007.0024
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  1. In a Thicket (review)
  2. Tim Medlock
  3. pp. 287-290
  4. DOI: 10.1353/atj.2007.0018
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  1. A Guide to the Japanese Stage: From Traditional to Cutting Edge (review)
  2. Holly A. Blumner
  3. pp. 291-293
  4. DOI: 10.1353/atj.2007.0001
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  1. Shakespeare in Japan (review)
  2. Daniel Gallimore
  3. pp. 293-297
  4. DOI: 10.1353/atj.2007.0009
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  1. The Kyōgen of Errors (review)
  2. Kathy Foley
  3. pp. 294-296
  4. DOI: 10.1353/atj.2007.0007
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  1. Developing Zeami: The Noh Actor's Attunement in Practice (review)
  2. Margaret Coldiron
  3. pp. 297-299
  4. DOI: 10.1353/atj.2007.0002
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  1. Theatre of Yugen, 25 Years: A Retrospective (review)
  2. Judy Halebsky
  3. pp. 299-301
  4. DOI: 10.1353/atj.2007.0011
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  1. Unspeakable Acts: The Avant-Garde Theatre of Terayama Shūji and Postwar Japan (review)
  2. John D. Swain
  3. pp. 301-304
  4. DOI: 10.1353/atj.2007.0025
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  1. Between Tongues: Translation and/of/in Performance in Asia (review)
  2. Thomas M. Hunter
  3. pp. 304-307
  4. DOI: 10.1353/atj.2007.0012
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  1. From the Editors
  2. Kathy Foley, Julie Iezzi, Jonah Salz
  3. pp. v-ix
  4. DOI: 10.1353/atj.2007.0006
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