We cannot verify your location
Browse Book and Journal Content on Project MUSE

Creating Madame Landowska

pp. 1-23 | DOI: 10.1353/wam.2007.0002

The Taste of Love: Salome's Transfiguration

pp. 24-44 | DOI: 10.1353/wam.2007.0014

Music, Novels, and Women: Nineteenth-Century Prescriptions for an Ideal Life

pp. 45-59 | DOI: 10.1353/wam.2007.0010

"Like horses to water": Reconsidering Gender and Technology within Music Education Discourses

pp. 60-70 | DOI: 10.1353/wam.2007.0011

Theorizing Gender, Culture, and Music

Not Your Mother's Racial Uplift: Sweet Honey in the Rock, Journey, and Representation: Sweet Honey in the Rock: Raise Your Voice

pp. 71-79 | DOI: 10.1353/wam.2007.0004

Queer Episodes in Music and Modern Identity (review)

pp. 80-88 | DOI: 10.1353/wam.2007.0005


25 Plus Piano Solo. 25 Jahre Frau und Musik. Jubiläumsausgabe, and: Fanny Hensel: Klaviermusik \-\- eine Auswahl (review)

pp. 89-92 | DOI: 10.1353/wam.2007.0013

Speak It Louder: Asian Americans Making Music (review)

pp. 92-95 | DOI: 10.1353/wam.2007.0006

Women's Voices Across Musical Worlds (review)

pp. 95-99 | DOI: 10.1353/wam.2007.0003

A Problem Like Maria: Gender and Sexuality in the American Musical (review)

pp. 99-101 | DOI: 10.1353/wam.2007.0008

Gender, Sexuality, and Early Music (review)

pp. 101-107 | DOI: 10.1353/wam.2007.0000

Venus Boyz (review)

pp. 107-111 | DOI: 10.1353/wam.2007.0012

Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (review)

pp. 111-114 | DOI: 10.1353/wam.2007.0007

Maddalena Lombardini Sirmen, Eighteenth-Century Composer, Violinist, and Businesswoman (review)

pp. 114-123 | DOI: 10.1353/wam.2007.0009



pp. 124-126 | DOI: 10.1353/wam.2007.0001

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access