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In this Issue

Table of Contents

  1. Creating Madame Landowska
  2. Annegret Fauser
  3. pp. 1-23
  4. DOI: https://doi.org/10.1353/wam.2007.0002
  5. restricted access
  1. The Taste of Love: Salome's Transfiguration
  2. Anne L. Seshadri
  3. pp. 24-44
  4. DOI: https://doi.org/10.1353/wam.2007.0014
  5. restricted access
  1. Music, Novels, and Women: Nineteenth-Century Prescriptions for an Ideal Life
  2. Petra Meyer-Frazier
  3. pp. 45-59
  4. DOI: https://doi.org/10.1353/wam.2007.0010
  5. restricted access
  1. "Like horses to water": Reconsidering Gender and Technology within Music Education Discourses
  2. Kip Pegley
  3. pp. 60-70
  4. DOI: https://doi.org/10.1353/wam.2007.0011
  5. restricted access
  1. Not Your Mother's Racial Uplift: Sweet Honey in the Rock, Journey, and Representation: Sweet Honey in the Rock: Raise Your Voice
  2. Eileen M. Hayes
  3. pp. 71-79
  4. DOI: https://doi.org/10.1353/wam.2007.0004
  5. restricted access
  1. Queer Episodes in Music and Modern Identity (review)
  2. Nadine Hubbs
  3. pp. 80-88
  4. DOI: https://doi.org/10.1353/wam.2007.0005
  5. restricted access
  1. 25 Plus Piano Solo. 25 Jahre Frau und Musik. Jubiläumsausgabe, and: Fanny Hensel: Klaviermusik \-\- eine Auswahl (review)
  2. Ursel Schlicht
  3. pp. 89-92
  4. DOI: https://doi.org/10.1353/wam.2007.0013
  5. restricted access
  1. Speak It Louder: Asian Americans Making Music (review)
  2. Allison Adah Johnson
  3. pp. 92-95
  4. DOI: https://doi.org/10.1353/wam.2007.0006
  5. restricted access
  1. Women's Voices Across Musical Worlds (review)
  2. Lydia Hamessley
  3. pp. 95-99
  4. DOI: https://doi.org/10.1353/wam.2007.0003
  5. restricted access
  1. A Problem Like Maria: Gender and Sexuality in the American Musical (review)
  2. Margaret McFadden
  3. pp. 99-101
  4. DOI: https://doi.org/10.1353/wam.2007.0008
  5. restricted access
  1. Gender, Sexuality, and Early Music (review)
  2. Olivia A. Bloechl
  3. pp. 101-107
  4. DOI: https://doi.org/10.1353/wam.2007.0000
  5. restricted access
  1. Venus Boyz (review)
  2. Gillian Rodger
  3. pp. 107-111
  4. DOI: https://doi.org/10.1353/wam.2007.0012
  5. restricted access
  1. Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (review)
  2. Elizabeth L. Keathley
  3. pp. 111-114
  4. DOI: https://doi.org/10.1353/wam.2007.0007
  5. restricted access
  1. Maddalena Lombardini Sirmen, Eighteenth-Century Composer, Violinist, and Businesswoman (review)
  2. Helen Metzelaar
  3. pp. 114-123
  4. DOI: https://doi.org/10.1353/wam.2007.0009
  5. restricted access
  1. Contributors
  3. pp. 124-126
  4. DOI: https://doi.org/10.1353/wam.2007.0001
  5. restricted access

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