1. Just Another Form of Ideology? Ethical and Methodological Principles in Film Restoration
  2. Andreas Busche
  3. pp. 1-29
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  1. The Library of Congress Film Project: Film Collecting and a United State(s) of Mind
  2. Janna Jones
  3. pp. 30-51
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  1. Mitchell and Kenyon, Archival Contingency, and the Cultural Production of Historical License
  2. Nathan Carroll
  3. pp. 52-73
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  1. Mobile Home Movies: Travel and le Politique des Amateurs
  2. Devin Orgeron
  3. pp. 74-100
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  1. My Saga of the Newly Discovered Estate of Erich von Stroheim
  2. Rick Schmidlin
  3. pp. 101-109
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  1. Silent Film Exhibition and Performative Historiography: The Within Our Gates Project
  2. Anna Siomopoulos, Patricia Rodden Zimmermann
  3. pp. 109-111
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  1. The Birth of a Black Cinema: Race, Reception, and Oscar Micheaux's Within Our Gates
  2. Anna Siomopoulos
  3. pp. 111-118
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  1. Revisiting and Remixing Black Cinema
  2. Patricia Rodden Zimmermann
  3. pp. 119-124
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  1. Media Antecedents to Within Our Gates: Weaving Disparate Threads
  2. John L. Hochheimer
  3. pp. 124-128
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  1. The Spoken Word in Within Our Gates: Revisited and Remixed
  2. Grace An
  3. pp. 128-132
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  1. Interview with Fe Nunn
  2. Anna Siomopoulos, Grace An, Fe Nunn
  3. pp. 132-135
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  1. Museum Movies: The Museum of Modern Art and the Birth of Art Cinema (review)
  2. Barbara Selznick
  3. pp. 136-138
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  1. Hollywood and the Culture Elite: How the Movies Became American (review)
  2. Heidi Kenaga
  3. pp. 138-141
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  1. American Cinema's Transitional Era: Audiences, Institutions, Practices (review)
  2. Kristen Anderson Wagner
  3. pp. 145-148
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  1. Walden (review)
  2. Joshua Mabe
  3. pp. 148-150
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  1. Why We Fight (review)
  2. Jill Kozeluh
  3. pp. 150-153
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  1. Notre Musique, and: In the Realms of the Unreal (review)
  2. Lindy Leong
  3. pp. 153-158
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  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-x
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  1. Contributors
  2. pp. 159-160
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