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  Volume 27, Number 1, Spring/Summer 2006

Table of Contents

From: Latin American Music Review

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Editor's Note: A Selection of the Works of Gerard Béhague

pp. 1-9
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Theoretical or Issue-Oriented Works

A Performance and Listener-Centered Approach to Musical Analysis: Some Theoretical and Methodological Factors

pp. 10-18
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Diversity and the Arts: Issues and Strategies

pp. 19-27
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Art Music Studies

Indianism in Latin American Art-Music Composition of the 1920s to 1940s: Case Studies from Mexico, Peru, and Brazil

pp. 28-37
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La problemática de la identidad cultural en la música culta hispano-caribeña

pp. 38-46
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La problemática de la posición socio-política del compositor en la música nueva en Latinoamérica

pp. 47-56
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State of Research of Brazilian Music

Música 'erudita', 'folclórica' e 'popular' do Brasil: Interações e inferências para a musicologia e etnomusicologia modernas

pp. 57-68
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Perspectivas atuais na pesquisa musical e estratégias analíticas da Música Popular Brasileira

pp. 69-78
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Globalization/Modernization

Rap, Reggae, Rock, or Samba: The Local and the Global in Brazilian Popular Music (1985-95)

pp. 79-90
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Regional and National Trends in Afro-Brazilian Religious Musics: A Case of Cultural Pluralism

pp. 91-103
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Book Reviews

Jazz Consciousness: Music, Race, and Humanity (review)

pp. 104-108
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Blackface Cuba, 1840-1895 (review)

pp. 108-112
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Tambora: Baile cantado en Colombia (review)

pp. 112-114
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Guitarra de Cristal: Contemporary Cuban Music for the Guitar (review)

pp. 114-115
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Rolas de Aztlán: Songs of the Chicano Movement (review)

pp. 115-118
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Research Areas

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