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Table of Contents

  1. Come, We Go Burn Down Babylon: A Report on the Cathedral Murders and the Force of Rastafari in the Eastern Caribbean
  2. Glenn A. Elmer Griffin
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/smx.2006.0034
  5. restricted access
  1. Engendering History: A Poetics of the Kala Pani in Ramabai Espinet's The Swinging Bridge
  2. Brinda Mehta
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/smx.2006.0039
  5. restricted access
  1. “What If He Did Not Have a Sister [Who Lived in the United States]?”: Jamaica Kincaid's My Brother as Remittance Text
  2. Kezia Page
  3. pp. 37-53
  4. DOI: https://doi.org/10.1353/smx.2006.0041
  5. restricted access
  1. Linton Kwesi Johnson's Dub Poetry and the Political Aesthetics of Carnival in Britain
  2. Ashley Dawson
  3. pp. 54-69
  4. DOI: https://doi.org/10.1353/smx.2006.0032
  5. restricted access
  1. Colonization, Creolization, and Globalization: The Art and Ruses of Bricolage
  2. Wendy Knepper
  3. pp. 70-86
  4. DOI: https://doi.org/10.1353/smx.2006.0038
  5. restricted access
  1. Race, Creole, and National Identities in Rhys's Wide Sargasso Sea and Phillips's Cambridge
  2. Vivian Nun Halloran
  3. pp. 87-104
  4. DOI: https://doi.org/10.1353/smx.2006.0035
  5. restricted access
  1. The Pink Elephant in the Room
  2. Dionne Benjamin-Smith
  3. pp. 105-110
  4. DOI: https://doi.org/10.1353/smx.2006.0043
  5. restricted access
  1. On a Knife Edge: Sistren Theatre Collective, Grassroots Theatre, and Globalization
  2. Sharon L. Green
  3. pp. 111-124
  4. DOI: https://doi.org/10.1353/smx.2006.0033
  5. restricted access
  1. Passa Passa: Interrogating Cultural Hybridities in Jamaican Dancehall
  2. Donna P. Hope
  3. pp. 125-139
  4. DOI: https://doi.org/10.1353/smx.2006.0037
  5. restricted access
  1. Three Poems
  2. Christian Campbell
  3. pp. 140-144
  4. DOI: https://doi.org/10.1353/smx.2006.0030
  5. restricted access
  1. Waiting for Mel
  2. Jennifer Rahim
  3. pp. 145-149
  4. restricted access
  1. Inside Out: Dancehall and the “Re-Cooperation” of Meaning
  2. Mike Alleyne
  3. pp. 150-160
  4. DOI: https://doi.org/10.1353/smx.2006.0028
  5. restricted access
  1. Clashing Interpretations in Jamaican Dancehall Culture
  2. Bibi Bakare-Yusuf
  3. pp. 161-173
  4. DOI: https://doi.org/10.1353/smx.2006.0027
  5. restricted access
  1. “Slackness Personified,” Historicized and Delegitimized
  2. Sonjah Stanley Niaah
  3. pp. 174-185
  4. DOI: https://doi.org/10.1353/smx.2006.0040
  5. restricted access
  1. Un-Theory
  2. Idara Hippolyte
  3. pp. 186-192
  4. DOI: https://doi.org/10.1353/smx.2006.0036
  5. restricted access
  1. At the Crossroads—Looking for Meaning in Jamaican Dancehall Culture: A Reply
  2. Carolyn Cooper
  3. pp. 193-204
  4. DOI: https://doi.org/10.1353/smx.2006.0031
  5. restricted access
  1. Contributors
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/smx.2006.0029
  5. restricted access