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  Volume 49, Number 3, Fall 2006

Table of Contents

From: Modern Drama

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Special Issue: One-Hundred Years after Ibsen

The Prompter's Box: Back to the Future: One-Hundred Years after Ibsen

pp. 225-234 | DOI: 10.1353/mdr.2006.0073

Ja, til Island! The Icelandic Reception of Hærmændene paa Helgeland

pp. 235-255 | DOI: 10.1353/mdr.2006.0080

"First and Foremost a Human Being": Idealism, Theatre, and Gender in A Doll's House

pp. 256-284 | DOI: 10.1353/mdr.2006.0083

Ibsen Lite: Robert Wilson's When We Dead Awaken

pp. 285-303 | DOI: 10.1353/mdr.2006.0086

Ibsen, Heroism, and the Uncanny

pp. 304-326 | DOI: 10.1353/mdr.2006.0081

John Gabriel Borkman's Avant-Garde Continuity

pp. 327-347 | DOI: 10.1353/mdr.2006.0084

Happiness as End: A Reading of Rosmersholm

pp. 348-369 | DOI: 10.1353/mdr.2006.0085

The Tragic Vision of Ibsen's Rosmersholm

pp. 370-386 | DOI: 10.1353/mdr.2006.0087

When We Dead Awaken : A Scene That Gets out of Control

pp. 387-395 | DOI: 10.1353/mdr.2006.0078

Afterword: Ibsen, Beckett, and Uncertainty

pp. 396-401 | DOI: 10.1353/mdr.2006.0077


Utopia in Performance: Finding Hope at the Theater (review)

pp. 402-405 | DOI: 10.1353/mdr.2006.0075

Rainer Werner Fassbinder and the German Theatre (review)

pp. 406-409 | DOI: 10.1353/mdr.2006.0079

Queer Mythologies: The Original Stageplays of Pam Gems (review)

pp. 409-410 | DOI: 10.1353/mdr.2006.0074

Off-Centre Stages: Fringe Theatre at the Open Space and the Round House 1968-1983 (review)

pp. 411-413 | DOI: 10.1353/mdr.2006.0088

Staging the Easter Rising: 1916 as Theatre (review)

pp. 413-415 | DOI: 10.1353/mdr.2006.0082



pp. 416-417 | DOI: 10.1353/mdr.2006.0076

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