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  Volume 29, Number 3, Summer 2006

Table of Contents

From: Callaloo

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Special Issue: Hip-Hop Music and Culture

Hip_Hop Now: An Introduction

pp. 714-716
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Poetry

Switch

pp. 761-762
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Elegy for Mister Rogers

pp. 803-804
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Introduction

pp. 806-807
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Beatdown in Baltimore

p. 805
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Black, For Butter

pp. 843-844
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Elvis in the Inner City

p. 773
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Rap

p. 783
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Soundtrack

pp. 718-724
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Hip Hop Nation

p. 823
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Forgetting

p. 751
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The Breaker's Pose

p. 738
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The Breaker's Performance

p. 739
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Literary and Cultural Criticism

Biggie Envy and the Gangsta Sublime

pp. 911-938
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True Heads: Historicizing the Hip_Hop "Nation" in Context

pp. 846-866
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Giving up Hip-Hop's Firstborn: A Quest for the Real after the Death of Sampling

pp. 868-892
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Chicano Rap Roots: Black-Brown Cultural Exchange and the Making of a Genre

pp. 939-955
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Rap, Soul, and the Vortex at 33.3 rpm: Hip-Hop's Implements and African American Modernisms

pp. 956-968
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"Dead Prezence": Money and Mortal Themes in Hip Hop Culture

pp. 895-909
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Visual Art

Iona Rozeal Brown: U.S. American Artist

pp. 837-842
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The Cipher in Code (detail 1), and: The Cipher in Code (detail 2)

pp. 713-717
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Ascension: (put your hands in the air)

p. 910
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Interviews and Conversations

"The Natti Ain't No Punk City": Emic Views of Hip Hop Cultures

pp. 969-990
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An Interview with Moya Bailey

pp. 753-760
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An Interview with Joan Morgan

pp. 764-772
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An Interview with Gwendolyn D. Pough

pp. 808-814
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"Excursions": A Conversation with Yusef Komunyakaa

pp. 741-750
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An Interview with Michael Eric Dyson

pp. 786-802
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The Fluoroscope of Brooklyn Hip Hop: Talib Kweli in Conversation

pp. 993-1011
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An Interview with Jean Grae

pp. 816-821
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An Interview with Touré

pp. 776-782
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An Interview with Saul Williams

pp. 728-736
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A Special Section with Portfolio Art and Interview

Black on Both Sides: A Conversation with iona rozeal brown

pp. 826-834
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Contributors

Contributors

pp. 1016-1019
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Images

Images

p. 2006
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