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  Volume 52, Number 3, Fall 2006

Table of Contents

From: MFS Modern Fiction Studies

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Editor's Note

pp. 545-547


Beloved's Claim

pp. 548-569

"Curiously Without Body": The Hidden Language of Zona Gale's Faint Perfume

pp. 570-587

Nathanael West and the Mystery of Feeling

pp. 588-612

Public Personae and the Private I: De-Compositional Ontology in Paul Auster's The New York Trilogy

pp. 613-633

History on Speed: Media and the Politics of Forgetting in Milan Kundera's Slowness

pp. 634-655

Dreams of Melanesia: Masculinity and the Exorcism of War in Pat Barker's The Ghost Road

pp. 656-674

Mimicry, Spatial Captation, and Feng Shui in Han Ong's Fixer Chao

pp. 675-704

Review Essay

Reckoning Day: Race, Representation, and Redress in Women's Literature and Film

pp. 705-715

Book Reviews

The Americas

The Vonnegut Effect (review)

pp. 718-721

Gertrude Stein and the Essence of What Happens (review)

pp. 721-724

Rethinking Social Realism: African American Art and Literature, 1930-1953 (review)

pp. 725-727

SuburbiaNation: Reading Suburban Landscape in Twentieth-Century American Fiction and Film (review)

pp. 728-731

The Death-Bound-Subject: Richard Wright's Archaeology of Death (review)

pp. 731-734

The Master and the Dean: The Literary Criticism of Henry James and William Dean Howells (review)

pp. 735-737

British, Irish, and Postcolonial Literatures

Colonial Strangers: Women Writing the End of the British Empire (review)

pp. 738-741

Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilization, Modernity (review)

pp. 742-745

Conrad and Empire (review)

pp. 745-748

Confluences: Postcolonialism, African American Literary Studies, and the Black Atlantic (review)

pp. 748-752

Theory and Cultural Studies

I Know that You Know that I Know: Narrating Subjects from Moll Flanders to Marnie (review)

pp. 753-756

Faculty Towers: The Academic Novel and Its Discontents (review)

pp. 757-759

In the Presence of Audience: The Self in Diaries and Fiction (review)

pp. 760-763



pp. 764-765

Research Areas


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