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In this Issue

Table of Contents

  1. Untimely Reflections on Operatic Echoes: How Sound Travels in Monteverdi's LiOrfeo and Beethoven's Fidelio, with a Short Instrumental Interlude
  2. Daniel K. L. Chua
  3. pp. 573-596
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  1. Wagner, Cinema, and Redemptive Glee
  2. Carolyn Abbate
  3. pp. 597-611
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  1. Ombra Adorata
  2. Jean Starobinski, Robert S. Huddleston
  3. pp. 612-630
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  1. On the Musical Gathering of Echoes of the Voice: Walter Benjamin on Opera and the Trauerspiel
  2. Eli Friedlander
  3. pp. 631-646
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  1. Juliette fahrt nach Mahagonny, or a Critical Reading of Surrealist Opera
  2. Lydia Goehr
  3. pp. 647-674
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  1. Echoed Above
  2. Michal Grover-Friedlander
  3. pp. 675-712
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  1. Auditions
  2. David J. Levin
  3. p. 713
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  1. From Pericles to Verdi (and Backward)
  2. Alessandra Campana
  3. pp. 713-715
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  1. Pericles and Verdi: The Philosophy of Francois Chatelet
  2. Gilles Deleuze, Charles T. Wolfe
  3. pp. 716-724
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  1. Notes from the Stage
  2. David J. Levin
  3. pp. 725-726
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  1. Enduring Echo Effects
  2. Wolfgang Willaschek, Joel Lande
  3. pp. 726-734
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  1. La marescialla d'Ancre (review)
  2. Daniel Foley
  3. pp. 735-740
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  1. Oberon (review)
  2. William Albright
  3. pp. 740-734
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  1. Elvida (review)
  2. George Jellinek
  3. pp. 743-745
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  1. L'elisir d'amore (review)
  2. Robert Baxter
  3. pp. 745-747
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  1. Lucia di Lammermoor (review)
  2. Robert Baxter
  3. pp. 747-749
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  1. Les pecheurs de perles (review)
  2. George Jellinek
  3. pp. 749-750
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  1. Les pecheurs de perles (review)
  2. William Albright
  3. pp. 750-752
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  1. The Mines of Sulphur (review)
  2. Joe Keith Law
  3. pp. 752-755
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  1. The Sibyl Sanderson Story: Requiem for a Diva (review)
  2. William Albright
  3. pp. 756-759
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  1. Musical Symbolism in the Operas of Debussy and Bartok: Trauma, Gender, and the Unfolding of the Unconscious (review)
  2. Beth Hart
  3. pp. 759-763
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  1. Tragic Manhood and Democracy: Verdi's Voice and the Powers of Musical Art (review)
  2. George Whitney Martin
  3. pp. 763-767
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  1. The Teatro Solis: 150 Years of Opera, Concert, and Ballet in Montevideo (review)
  2. Michael E. Henstock
  3. pp. 767-770
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  1. Decoding Wagner: An Invitation to His World of Music Drama (review)
  2. Jeffrey L. Buller
  3. pp. 770-773
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  1. The Life and Work of Pauline Viardot Garc
  2. Harold Bruder
  3. pp. 773-778
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  1. An Introduction from the Guest Editor
  2. Michal Grover-Friedlander
  3. pp. 571-572
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  1. Contributors to This Issue
  3. pp. 779-781
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