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In this Issue

Table of Contents

  1. About This Issue
  3. pp. 1-2
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  1. Announcements
  3. pp. 5-9
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  1. News
  3. pp. 7-9
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  1. From Wire to Computer: Francis Dhomont at 80
  2. Rosemary Mountain, Francis Dhomont
  3. pp. 10-21
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  1. Modal Synthesis for Arbitrarily Shaped Objects
  2. Cynthia Bruyns
  3. pp. 22-37
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  1. A Multi-Instrument, Force-Feedback Keyboard
  2. Roberto Oboe
  3. pp. 38-52
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  1. Computer-Assisted Analysis of Music in George Perle's System of Twelve-Tone Tonality
  2. Gretchen C. Foley, Charles A. Cusack
  3. pp. 53-66
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  1. Algorithms for Computing Geometric Measures of Melodic Similarity
  2. Greg Aloupis, Thomas Fevens, Stefan Langerman, Tomomi Matsui, Antonio Mesa, Yurai Nunez, David Rappaport, Godfried T. Toussaint
  3. pp. 67-76
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  1. Voices: Peninsula Arts Contemporary Music Festival (review)
  2. Nigel Morgan
  3. p. 77
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  1. Louis and Bebe Barron's Forbidden Planet: A Film Score Guide (review)
  2. James Harley
  3. pp. 78-79
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  1. The Music of American Composer Lejaren Hiller and an Examination of His Early Works Involving Technology (review)
  2. Louis Ferdinand
  3. pp. 79-82
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  1. FIB and PHI in Music: The Golden Proportion in Musical Form (review)
  2. Alcides Lanza
  3. pp. 82-83
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  1. The Music of CSIRAC: Australia's First Computer Music (review)
  2. James Harley
  3. pp. 83-85
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  1. Corrosion: Music for Instruments, Computers and Electronics (review)
  2. Richard Barrett
  3. pp. 85-87
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  1. A Call for Silence (review)
  2. James Matthew Bohn
  3. pp. 87-89
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  1. Story Without End (and Three Other Films) (review)
  2. Kevin Hamilton
  3. pp. 89-90
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  1. Composers' Desktop Project Version 5.0.1 (review)
  2. John Forshee
  3. pp. 90-92
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  1. Products of Interest
  3. pp. 93-107
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