1. "Before She Was a Virgin. ..": Doris Day and the Decline of Female Film Comedy in the 1950s and 1960s
  2. Dennis Bingham
  3. pp. 3-31
  4. DOI: 10.1353/cj.2006.0025
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  1. Brand-Name Literature: Film Adaptation and Selznick International Pictures' Rebecca (1940)
  2. Kyle D. Edwards
  3. pp. 32-58
  4. DOI: 10.1353/cj.2006.0028
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  1. Sex Is Dangerous, So Satisfy Your Wife: The Softcore Thriller in Its Contexts
  2. David Andrews
  3. pp. 59-89
  4. DOI: 10.1353/cj.2006.0024
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  1. From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography
  2. Patrick Keating
  3. pp. 90-108
  4. DOI: 10.1353/cj.2006.0034
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  1. In Focus: The Death of 16mm?
  2. Heather Hendershot
  3. pp. 109-112
  4. DOI: 10.1353/cj.2006.0030
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  1. "Archiving, Preserving, Screening 16mm"
  2. Jan-Christopher Horak
  3. pp. 112-118
  4. DOI: 10.1353/cj.2006.0033
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  1. Film and Media Studies and the Law of the DVD
  2. William Fisher, Jacqueline Harlow
  3. pp. 118-124
  4. DOI: 10.1353/cj.2006.0029
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  1. "16mm: Reports of Its Death Are Greatly Exaggerated"
  2. Scott MacDonald
  3. pp. 124-130
  4. DOI: 10.1353/cj.2006.0035
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  1. Of Ghosts and Machines: An Interview with Zoe Beloff
  2. Heather Hendershot, Zoe Beloff
  3. pp. 130-140
  4. DOI: 10.1353/cj.2006.0031
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  1. About the Contributors
  2. p. 140
  3. DOI: 10.1353/cj.2006.0027
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