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  Volume 58, Number 2, May 2006

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. ix-x

Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II

pp. 175-194

The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife

pp. 195-220

A Genre for Early Mass Culture: French Vaudeville and the City, 1830-1848

pp. 221-248

"The Illegitimate Assistance of Political Allusion": Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil

pp. 249-267

Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle

pp. 269-289

Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation

pp. 291-312

Performance Reviews

Sonja Arsham Kuftinec, Editor

Viol d'apres Titus Andronicus de William Shakespeare (review)

pp. 313-314

The Tempest (review)

pp. 314-316

Festival d'Avignon (review)

pp. 316-319

The Edinburgh International Festival, and: The Edinburgh Fringe Festival (review)

pp. 320-324

Musical Theatre at the Ninth Annual New York International Fringe Festival

pp. 325-327

New York Arab-American Comedy Festival (review)

pp. 327-331

Ko Festival of Performance (review)

pp. 331-333

Gyoye (review)

pp. 333-335

I La Galigo (review)

pp. 335-337

Seedbed (review)

pp. 337-340

The Cabinet: A Spectacle in Miniature (review)

pp. 340-342

Radio Golf (review)

pp. 342-345

Grandchildren of the Buffalo Soldiers (review)

pp. 345-348

La Foret (review)

pp. 348-350

Emilia Galotti (review)

pp. 350-351

The Learned Ladies of Park Avenue: A Riff on Moliere (review)

pp. 352-355

Filles de guerres lasses (review)

pp. 355-356

The Importance of Being Earnest, and: Travesties (review)

pp. 356-358

The Sandstorm: Stories from the Front (review)

pp. 358-359

Book Reviews

James Peck, Editor

Ritual Imports: Performing Medieval Drama in America (review)

pp. 361-362

Beckett and Aesthetics (review)

pp. 362-363

Virtual Theatres: An Introduction (review)

pp. 364-365

Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)

pp. 365-366

Manga Discourse in Japanese Theater: The Location of Noda Hideki's Yume no Yuminsha (review)

pp. 366-367

Local Acts: Community-based Performance in the United States (review)

pp. 367-369

Performing Opposition: Modern Theater and the Scandalized Audience, and: Audience Participation: Essays on Inclusion in Performance (review)

pp. 369-371

The Theater Is in the Street: Politics and Public Performance in Sixties America (review)

pp. 371-372

Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (review)

pp. 372-373

Holy Terrors: Latin American Women Perform (review)

pp. 373-375

Puppetry: A World History (review)

pp. 375-376

Exploring Museum Theatre (review)

pp. 376-378

Disability and Contemporary Performance: Bodies on Edge (review)

pp. 378-379

Imagining Shakespeare (review)

pp. 379-380

Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 (review)

pp. 380-381

Striptease: The Untold History of the Girlie Show (review)

pp. 381-383

Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947 (review)

pp. 383-384

Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2006

pp. 385-389

Research Areas


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