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  Volume 58, Number 2, May 2006

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. ix-x | DOI: 10.1353/tj.2006.0131

Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II

pp. 175-194 | DOI: 10.1353/tj.2006.0117

The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife

pp. 195-220 | DOI: 10.1353/tj.2006.0132

A Genre for Early Mass Culture: French Vaudeville and the City, 1830-1848

pp. 221-248 | DOI: 10.1353/tj.2006.0138

"The Illegitimate Assistance of Political Allusion": Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil

pp. 249-267 | DOI: 10.1353/tj.2006.0130

Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle

pp. 269-289 | DOI: 10.1353/tj.2006.0111

Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation

pp. 291-312 | DOI: 10.1353/tj.2006.0119

Performance Reviews

Sonja Arsham Kuftinec, Editor

Viol d'apres Titus Andronicus de William Shakespeare (review)

pp. 313-314 | DOI: 10.1353/tj.2006.0118

The Tempest (review)

pp. 314-316 | DOI: 10.1353/tj.2006.0134

Festival d'Avignon (review)

pp. 316-319 | DOI: 10.1353/tj.2006.0109

The Edinburgh International Festival, and: The Edinburgh Fringe Festival (review)

pp. 320-324 | DOI: 10.1353/tj.2006.0136

Musical Theatre at the Ninth Annual New York International Fringe Festival

pp. 325-327 | DOI: 10.1353/tj.2006.0121

New York Arab-American Comedy Festival (review)

pp. 327-331 | DOI: 10.1353/tj.2006.0098

Ko Festival of Performance (review)

pp. 331-333 | DOI: 10.1353/tj.2006.0106

Gyoye (review)

pp. 333-335 | DOI: 10.1353/tj.2006.0116

I La Galigo (review)

pp. 335-337 | DOI: 10.1353/tj.2006.0129

Seedbed (review)

pp. 337-340 | DOI: 10.1353/tj.2006.0135

The Cabinet: A Spectacle in Miniature (review)

pp. 340-342 | DOI: 10.1353/tj.2006.0133

Radio Golf (review)

pp. 342-345 | DOI: 10.1353/tj.2006.0101

Grandchildren of the Buffalo Soldiers (review)

pp. 345-348 | DOI: 10.1353/tj.2006.0113

La Foret (review)

pp. 348-350 | DOI: 10.1353/tj.2006.0125

Emilia Galotti (review)

pp. 350-351 | DOI: 10.1353/tj.2006.0100

The Learned Ladies of Park Avenue: A Riff on Moliere (review)

pp. 352-355 | DOI: 10.1353/tj.2006.0104

Filles de guerres lasses (review)

pp. 355-356 | DOI: 10.1353/tj.2006.0107

The Importance of Being Earnest, and: Travesties (review)

pp. 356-358 | DOI: 10.1353/tj.2006.0110

The Sandstorm: Stories from the Front (review)

pp. 358-359 | DOI: 10.1353/tj.2006.0139

Book Reviews

James Peck, Editor

Ritual Imports: Performing Medieval Drama in America (review)

pp. 361-362 | DOI: 10.1353/tj.2006.0097

Beckett and Aesthetics (review)

pp. 362-363 | DOI: 10.1353/tj.2006.0099

Virtual Theatres: An Introduction (review)

pp. 364-365 | DOI: 10.1353/tj.2006.0108

Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)

pp. 365-366 | DOI: 10.1353/tj.2006.0103

Manga Discourse in Japanese Theater: The Location of Noda Hideki's Yume no Yuminsha (review)

pp. 366-367 | DOI: 10.1353/tj.2006.0114

Local Acts: Community-based Performance in the United States (review)

pp. 367-369 | DOI: 10.1353/tj.2006.0102

Performing Opposition: Modern Theater and the Scandalized Audience, and: Audience Participation: Essays on Inclusion in Performance (review)

pp. 369-371 | DOI: 10.1353/tj.2006.0127

The Theater Is in the Street: Politics and Public Performance in Sixties America (review)

pp. 371-372 | DOI: 10.1353/tj.2006.0112

Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (review)

pp. 372-373 | DOI: 10.1353/tj.2006.0124

Holy Terrors: Latin American Women Perform (review)

pp. 373-375 | DOI: 10.1353/tj.2006.0115

Puppetry: A World History (review)

pp. 375-376 | DOI: 10.1353/tj.2006.0126

Exploring Museum Theatre (review)

pp. 376-378 | DOI: 10.1353/tj.2006.0120

Disability and Contemporary Performance: Bodies on Edge (review)

pp. 378-379 | DOI: 10.1353/tj.2006.0140

Imagining Shakespeare (review)

pp. 379-380 | DOI: 10.1353/tj.2006.0105

Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 (review)

pp. 380-381 | DOI: 10.1353/tj.2006.0137

Striptease: The Untold History of the Girlie Show (review)

pp. 381-383 | DOI: 10.1353/tj.2006.0128

Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947 (review)

pp. 383-384 | DOI: 10.1353/tj.2006.0123

Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2006

pp. 385-389 | DOI: 10.1353/tj.2006.0122

Research Areas

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