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  Volume 58, Number 2, May 2006

Table of Contents

From: Theatre Journal

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Editorial Comment

pp. ix-x
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Many Bodies, Many Voices: Performing Androgyny in Fiona Shaw and Deborah Warner's Richard II

pp. 175-194
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The Tease of Truth: Seduction, Verisimilitude (?), and Spectatorship in I Am My Own Wife

pp. 195-220
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A Genre for Early Mass Culture: French Vaudeville and the City, 1830-1848

pp. 221-248
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"The Illegitimate Assistance of Political Allusion": Politics and the Hybridization of Romantic Tragedy in the Drama of Richard Lalor Sheil

pp. 249-267
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Caught Dancing: Hybridity, Stability, and Subversion in Dance Theatre of Harlem's Creole Giselle

pp. 269-289
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Making History in the Second Person: Post-touristic Considerations for Living Historical Interpretation

pp. 291-312
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Performance Reviews

Sonja Arsham Kuftinec, Editor

Viol d'apres Titus Andronicus de William Shakespeare (review)

pp. 313-314
|

The Tempest (review)

pp. 314-316
|

Festival d'Avignon (review)

pp. 316-319
|

The Edinburgh International Festival, and: The Edinburgh Fringe Festival (review)

pp. 320-324
|

Musical Theatre at the Ninth Annual New York International Fringe Festival

pp. 325-327
|

New York Arab-American Comedy Festival (review)

pp. 327-331
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Ko Festival of Performance (review)

pp. 331-333
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Gyoye (review)

pp. 333-335
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I La Galigo (review)

pp. 335-337
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Seedbed (review)

pp. 337-340
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The Cabinet: A Spectacle in Miniature (review)

pp. 340-342
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Radio Golf (review)

pp. 342-345
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Grandchildren of the Buffalo Soldiers (review)

pp. 345-348
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La Foret (review)

pp. 348-350
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Emilia Galotti (review)

pp. 350-351
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The Learned Ladies of Park Avenue: A Riff on Moliere (review)

pp. 352-355
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Filles de guerres lasses (review)

pp. 355-356
|

The Importance of Being Earnest, and: Travesties (review)

pp. 356-358
|

The Sandstorm: Stories from the Front (review)

pp. 358-359
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Book Reviews

James Peck, Editor

Ritual Imports: Performing Medieval Drama in America (review)

pp. 361-362
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Beckett and Aesthetics (review)

pp. 362-363
|

Virtual Theatres: An Introduction (review)

pp. 364-365
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Expressionism and Modernism in the American Theatre: Bodies, Voices, Words (review)

pp. 365-366
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Manga Discourse in Japanese Theater: The Location of Noda Hideki's Yume no Yuminsha (review)

pp. 366-367
|

Local Acts: Community-based Performance in the United States (review)

pp. 367-369
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Performing Opposition: Modern Theater and the Scandalized Audience, and: Audience Participation: Essays on Inclusion in Performance (review)

pp. 369-371
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The Theater Is in the Street: Politics and Public Performance in Sixties America (review)

pp. 371-372
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Theatre, Sacrifice, Ritual: Exploring Forms of Political Theatre (review)

pp. 372-373
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Holy Terrors: Latin American Women Perform (review)

pp. 373-375
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Puppetry: A World History (review)

pp. 375-376
|

Exploring Museum Theatre (review)

pp. 376-378
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Disability and Contemporary Performance: Bodies on Edge (review)

pp. 378-379
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Imagining Shakespeare (review)

pp. 379-380
|

Blue Vaudeville: Sex, Morals and the Mass Marketing of Amusement, 1895-1915 (review)

pp. 380-381
|

Striptease: The Untold History of the Girlie Show (review)

pp. 381-383
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Theatres of Independence: Drama, Theory, and Urban Performance in India since 1947 (review)

pp. 383-384
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Doctoral Projects

Doctoral Projects in Progress in Theatre Arts, 2006

pp. 385-389
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Research Areas

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