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  Volume 20, Number 2, October 2005

Table of Contents

From: Oral Tradition

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Special Issue: Performance Literature II

Guest Editor: Drew Gerstle, Stephanie Jones, and Rosalind Thomas

Performance Literature and the Written World: Lost in Transcription?

pp. 161-163 | DOI: 10.1353/ort.2006.0012

The How of Literature

pp. 164-187 | DOI: 10.1353/ort.2006.0004

The Culture of Play: Kabuki and the Production of Texts

pp. 188-216 | DOI: 10.1353/ort.2006.0006

Performance, Visuality, and Textuality: The Case of Japanese Poetry

pp. 217-232 | DOI: 10.1353/ort.2006.0011

From Oral Performance to Paper-Text to Cyber-Edition

pp. 233-263 | DOI: 10.1353/ort.2006.0005

Text and Performance in Africa

pp. 264-277 | DOI: 10.1353/ort.2006.0001

On the Concept of "Definitive Text" in Somali Poetry

pp. 278-299 | DOI: 10.1353/ort.2006.0010

My Mother Has A Television, Does Yours? Transformation and Secularization in an Ewe Funeral Drum Tradition

pp. 300-319 | DOI: 10.1353/ort.2006.0002

The Many Shapes of Medieval Chinese Plays: How Texts Are Transformed to Meet the Needs of Actors, Spectators, Censors, and Readers

pp. 320-334 | DOI: 10.1353/ort.2006.0007

Textual Representations of the Sixteenth-Century Chinese Drama Yuzan ji (The Jade Hairpin)

pp. 335-361 | DOI: 10.1353/ort.2006.0009

Contribuors

About the Authors

pp. 363-364 | DOI: 10.1353/ort.2006.0003

Index

Index to Volume 20

pp. 365-366 | DOI: 10.1353/ort.2006.0008

Research Areas

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