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  Volume 49, Number 1, Spring 2006

Table of Contents

From: Modern Drama

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Editorial Note

p. iii
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The Prompter's Box: Toward a Close Reading of Modern Drama

pp. 1-11
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Cognitive Catharsis in The Caucasian Chalk Circle

pp. 12-40
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Dead Center: Tragedy and the Reanimated Body in Marina Carr's The Mai and Portia Coughlan

pp. 41-59
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Violent Obsessions: Esiaba Irobi's Drama and the Discourse of Terrorism

pp. 60-75
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Ivanov : The Perils of Typicality

pp. 76-97
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Between Colonial Past and European Future: Identity Crises in Recent Portuguese Drama

pp. 98-119
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Reviews

Staging Whiteness (review)

pp. 120-122
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Auto/biography and Identity: Women, Theatre and Performance (review)

pp. 122-124
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Bertolt Brecht's Dramatic Theory (review)

pp. 124-127
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Shakespeare and Chekhov in Performance and Reception: Theatrical Events and Their Audiences (review)

pp. 127-129
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The Most American Thing in America: Circuit Chautauqua as Performance, and: Composing Ourselves: The Little Theatre Movement and the American Audience (review)

pp. 130-135
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Arthur Miller's America: Theater and Culture in a Time of Change (review)

pp. 135-137
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Mister Paradise and Other One-Act Plays, and: Candles to the Sun (review)

pp. 137-142
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Looking into the Abyss: Essays on Scenography (review)

pp. 142-144
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Contributors

Contributors

p. 145
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Erratum

Erratum

p. ii
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Research Areas

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