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  Volume 49, Number 1, Spring 2006

Table of Contents

From: Modern Drama

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Editorial Note

p. iii | DOI: 10.1353/mdr.2006.0049

The Prompter's Box: Toward a Close Reading of Modern Drama

pp. 1-11 | DOI: 10.1353/mdr.2006.0042

Cognitive Catharsis in The Caucasian Chalk Circle

pp. 12-40 | DOI: 10.1353/mdr.2006.0053

Dead Center: Tragedy and the Reanimated Body in Marina Carr's The Mai and Portia Coughlan

pp. 41-59 | DOI: 10.1353/mdr.2006.0048

Violent Obsessions: Esiaba Irobi's Drama and the Discourse of Terrorism

pp. 60-75 | DOI: 10.1353/mdr.2006.0046

Ivanov : The Perils of Typicality

pp. 76-97 | DOI: 10.1353/mdr.2006.0056

Between Colonial Past and European Future: Identity Crises in Recent Portuguese Drama

pp. 98-119 | DOI: 10.1353/mdr.2006.0051


Staging Whiteness (review)

pp. 120-122 | DOI: 10.1353/mdr.2006.0041

Auto/biography and Identity: Women, Theatre and Performance (review)

pp. 122-124 | DOI: 10.1353/mdr.2006.0047

Bertolt Brecht's Dramatic Theory (review)

pp. 124-127 | DOI: 10.1353/mdr.2006.0052

Shakespeare and Chekhov in Performance and Reception: Theatrical Events and Their Audiences (review)

pp. 127-129 | DOI: 10.1353/mdr.2006.0057

The Most American Thing in America: Circuit Chautauqua as Performance, and: Composing Ourselves: The Little Theatre Movement and the American Audience (review)

pp. 130-135 | DOI: 10.1353/mdr.2006.0043

Arthur Miller's America: Theater and Culture in a Time of Change (review)

pp. 135-137 | DOI: 10.1353/mdr.2006.0054

Mister Paradise and Other One-Act Plays, and: Candles to the Sun (review)

pp. 137-142 | DOI: 10.1353/mdr.2006.0055

Looking into the Abyss: Essays on Scenography (review)

pp. 142-144 | DOI: 10.1353/mdr.2006.0044



p. 145 | DOI: 10.1353/mdr.2006.0045



p. ii | DOI: 10.1353/mdr.2006.0050

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