1. The Prompter's Box: Toward a Close Reading of Modern Drama
  2. Alan L. Ackerman
  3. pp. 1-11
  4. DOI: 10.1353/mdr.2006.0042
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  1. Cognitive Catharsis in The Caucasian Chalk Circle
  2. R. Darren Gobert
  3. pp. 12-40
  4. DOI: 10.1353/mdr.2006.0053
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  1. Dead Center: Tragedy and the Reanimated Body in Marina Carr's The Mai and Portia Coughlan
  2. Maria Doyle
  3. pp. 41-59
  4. DOI: 10.1353/mdr.2006.0048
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  1. Violent Obsessions: Esiaba Irobi's Drama and the Discourse of Terrorism
  2. Isidore Diala
  3. pp. 60-75
  4. DOI: 10.1353/mdr.2006.0046
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  1. Ivanov : The Perils of Typicality
  2. John McKellor Reid
  3. pp. 76-97
  4. DOI: 10.1353/mdr.2006.0056
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  1. Between Colonial Past and European Future: Identity Crises in Recent Portuguese Drama
  2. Carolin Overhoff Ferreira
  3. pp. 98-119
  4. DOI: 10.1353/mdr.2006.0051
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  1. Staging Whiteness (review)
  2. Emily Colborn-Roxworthy
  3. pp. 120-122
  4. DOI: 10.1353/mdr.2006.0041
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  1. Auto/biography and Identity: Women, Theatre and Performance (review)
  2. Maria DiCenzo
  3. pp. 122-124
  4. DOI: 10.1353/mdr.2006.0047
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  1. Bertolt Brecht's Dramatic Theory (review)
  2. Steve Giles
  3. pp. 124-127
  4. DOI: 10.1353/mdr.2006.0052
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  1. Shakespeare and Chekhov in Performance and Reception: Theatrical Events and Their Audiences (review)
  2. Stuart Young
  3. pp. 127-129
  4. DOI: 10.1353/mdr.2006.0057
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  1. Arthur Miller's America: Theater and Culture in a Time of Change (review)
  2. Brenda Murphy
  3. pp. 135-137
  4. DOI: 10.1353/mdr.2006.0054
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  1. Mister Paradise and Other One-Act Plays, and: Candles to the Sun (review)
  2. R. B. Parker
  3. pp. 137-142
  4. DOI: 10.1353/mdr.2006.0055
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  1. Looking into the Abyss: Essays on Scenography (review)
  2. Christopher Baugh
  3. pp. 142-144
  4. DOI: 10.1353/mdr.2006.0044
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  1. Erratum
  2. p. ii
  3. DOI: 10.1353/mdr.2006.0050
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  1. Editorial Note
  2. p. iii
  3. DOI: 10.1353/mdr.2006.0049
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  1. Contributors
  2. p. 145
  3. DOI: 10.1353/mdr.2006.0045
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