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  Volume 6, Number 1, Spring 2006

Table of Contents

From: The Moving Image

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Editor's Introduction

pp. vi-x | DOI: 10.1353/mov.2006.0012


The Finesse of the Film Lab: A Report from a Week at Haghefilm

pp. 1-32 | DOI: 10.1353/mov.2006.0015

Context! Context! Context! Describing Moving Images at the Collection Level

pp. 33-65 | DOI: 10.1353/mov.2006.0014

Amateur Video Must Not Be Overlooked

pp. 66-81 | DOI: 10.1353/mov.2006.0010

Storytelling and Archival Material in The Trouble with Merle

pp. 82-101 | DOI: 10.1353/mov.2006.0007


Audiovisual Archiving and the World of Tomorrow: Explorations into Accreditation and Certification

pp. 102-110 | DOI: 10.1353/mov.2006.0011

The Use of Digital Restoration within European Film Archives: A Case Study

pp. 111-124 | DOI: 10.1353/mov.2006.0021


Managing Archival and Manuscript Repositories (review)

pp. 125-127 | DOI: 10.1353/mov.2006.0018

Coming Attractions: Reading American Movie Trailers (review)

pp. 128-131 | DOI: 10.1353/mov.2006.0009

Shepperton Babylon: The Lost Worlds of British Cinema (review)

pp. 131-134 | DOI: 10.1353/mov.2006.0006

A Culture of Light: Cinema and Technology in 1920s Germany (review)

pp. 134-136 | DOI: 10.1353/mov.2006.0020

Soft Cinema: Navigating the Database (review)

pp. 136-139 | DOI: 10.1353/mov.2006.0002

Hindle Wakes (review)

pp. 139-142 | DOI: 10.1353/mov.2006.0013

And Starring Pancho Villa as Himself (review)

pp. 142-145 | DOI: 10.1353/mov.2006.0016

Los Rollos perdidos de Pancho Villa / The Lost Reels of Pancho Villa (review)

pp. 145-148 | DOI: 10.1353/mov.2006.0005

Mary Pickford Films on DVD

pp. 148-152 | DOI: 10.1353/mov.2006.0017

The Blot [film]

pp. 153-156 | DOI: 10.1353/mov.2006.0019

The Collected Shorts of Jan Svankmajer (review)

pp. 156-159 | DOI: 10.1353/mov.2006.0008

The Olive Thomas Collection: The Flapper, and: Olive Thomas: Everybody's Sweetheart (review)

pp. 159-162 | DOI: 10.1353/mov.2006.0003

The Forgotten Films of Roscoe "Fatty" Arbuckle (review)

pp. 162-166 | DOI: 10.1353/mov.2006.0022

Filmmuseum Biennale (review)

pp. 167-170 | DOI: 10.1353/mov.2006.0004



pp. 171-173 | DOI: 10.1353/mov.2006.0001

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