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  Volume 6, Number 1, Spring 2006

Table of Contents

From: The Moving Image

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Editor's Introduction

pp. vi-x
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Features

The Finesse of the Film Lab: A Report from a Week at Haghefilm

pp. 1-32
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Context! Context! Context! Describing Moving Images at the Collection Level

pp. 33-65
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Amateur Video Must Not Be Overlooked

pp. 66-81
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Storytelling and Archival Material in The Trouble with Merle

pp. 82-101
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Forum

Audiovisual Archiving and the World of Tomorrow: Explorations into Accreditation and Certification

pp. 102-110
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The Use of Digital Restoration within European Film Archives: A Case Study

pp. 111-124
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Reviews

Managing Archival and Manuscript Repositories (review)

pp. 125-127
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Coming Attractions: Reading American Movie Trailers (review)

pp. 128-131
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Shepperton Babylon: The Lost Worlds of British Cinema (review)

pp. 131-134
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A Culture of Light: Cinema and Technology in 1920s Germany (review)

pp. 134-136
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Soft Cinema: Navigating the Database (review)

pp. 136-139
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Hindle Wakes (review)

pp. 139-142
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And Starring Pancho Villa as Himself (review)

pp. 142-145
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Los Rollos perdidos de Pancho Villa / The Lost Reels of Pancho Villa (review)

pp. 145-148
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Mary Pickford Films on DVD

pp. 148-152
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The Blot [film]

pp. 153-156
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The Collected Shorts of Jan Svankmajer (review)

pp. 156-159
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The Olive Thomas Collection: The Flapper, and: Olive Thomas: Everybody's Sweetheart (review)

pp. 159-162
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The Forgotten Films of Roscoe "Fatty" Arbuckle (review)

pp. 162-166
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Filmmuseum Biennale (review)

pp. 167-170
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Contributors

Contributors

pp. 171-173
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Research Areas

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