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  Volume 6, Number 1, Spring 2006

Table of Contents

From: The Moving Image

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Editor's Introduction

pp. vi-x


The Finesse of the Film Lab: A Report from a Week at Haghefilm

pp. 1-32

Context! Context! Context! Describing Moving Images at the Collection Level

pp. 33-65

Amateur Video Must Not Be Overlooked

pp. 66-81

Storytelling and Archival Material in The Trouble with Merle

pp. 82-101


Audiovisual Archiving and the World of Tomorrow: Explorations into Accreditation and Certification

pp. 102-110

The Use of Digital Restoration within European Film Archives: A Case Study

pp. 111-124


Managing Archival and Manuscript Repositories (review)

pp. 125-127

Coming Attractions: Reading American Movie Trailers (review)

pp. 128-131

Shepperton Babylon: The Lost Worlds of British Cinema (review)

pp. 131-134

A Culture of Light: Cinema and Technology in 1920s Germany (review)

pp. 134-136

Soft Cinema: Navigating the Database (review)

pp. 136-139

Hindle Wakes (review)

pp. 139-142

And Starring Pancho Villa as Himself (review)

pp. 142-145

Los Rollos perdidos de Pancho Villa / The Lost Reels of Pancho Villa (review)

pp. 145-148

Mary Pickford Films on DVD

pp. 148-152

The Blot [film]

pp. 153-156

The Collected Shorts of Jan Svankmajer (review)

pp. 156-159

The Olive Thomas Collection: The Flapper, and: Olive Thomas: Everybody's Sweetheart (review)

pp. 159-162

The Forgotten Films of Roscoe "Fatty" Arbuckle (review)

pp. 162-166

Filmmuseum Biennale (review)

pp. 167-170



pp. 171-173

Research Areas


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