1. This is Not a Movie: Ulysses and Cinema
  2. Maria DiBattista
  3. pp. 219-235
  4. DOI: 10.1353/mod.2006.0035
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  1. T. S. Eliot and Cinema
  2. David Trotter
  3. pp. 237-265
  4. DOI: 10.1353/mod.2006.0053
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  1. "A new form of true beauty": Aesthetics and Early Film Criticism
  2. Laura Marcus
  3. pp. 267-289
  4. DOI: 10.1353/mod.2006.0046
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  1. White Christmas, or Modernism
  2. John David Rhodes
  3. pp. 291-308
  4. DOI: 10.1353/mod.2006.0051
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  1. "The Grand Heretics of Modern Fiction": Laura Riding, John Cowper Powys, and the Subjective Correlative
  2. Jerome J. McGann
  3. pp. 309-323
  4. DOI: 10.1353/mod.2006.0047
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  1. Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis
  2. Michael Golston
  3. pp. 325-347
  4. DOI: 10.1353/mod.2006.0042
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  1. Less Light: The End(s) of Aestheticism in Pater, Ondaatje, and Sebald
  2. Natania Rosenfeld
  3. pp. 349-366
  4. DOI: 10.1353/mod.2006.0052
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  1. Spooky Joyce
  2. Finn Fordham
  3. pp. 367-373
  4. DOI: 10.1353/mod.2006.0040
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  1. The New Harlem Renaissance Studies
  2. David Chinitz
  3. pp. 375-382
  4. DOI: 10.1353/mod.2006.0033
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  1. Ugly Feelings (review)
  2. Jennifer Fleissner
  3. pp. 383-385
  4. DOI: 10.1353/mod.2006.0039
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  1. The Artist As Producer: Russian Constructivism in Revolution (review)
  2. Charlotte Douglas
  3. pp. 385-387
  4. DOI: 10.1353/mod.2006.0037
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  1. Italian Modernism: Italian Culture between Decadentism and Avant-Garde (review)
  2. Andrew Harrison
  3. pp. 388-389
  4. DOI: 10.1353/mod.2006.0045
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  1. Modernism and the Culture of Celebrity (review)
  2. Faye Hammill
  3. pp. 389-390
  4. DOI: 10.1353/mod.2006.0044
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  1. The G-String Murders (review)
  2. Maria DiBattista
  3. pp. 391-393
  4. DOI: 10.1353/mod.2006.0036
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  1. Bunny Lake Is Missing (review)
  2. Katherine Mullin
  3. pp. 393-394
  4. DOI: 10.1353/mod.2006.0048
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  1. Cinematic Modernism: Modernist Poetry and Film (review)
  2. David Trotter
  3. pp. 394-396
  4. DOI: 10.1353/mod.2006.0054
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  1. Cinema's Conversion to Sound: Technology and Film Style in France and the U.S. (review)
  2. Martin Barnier
  3. pp. 396-397
  4. DOI: 10.1353/mod.2006.0029
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  1. A Culture of Light: Cinema and Technology in 1920s Germany (review)
  2. Charles O'Brien
  3. pp. 397-399
  4. DOI: 10.1353/mod.2006.0049
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  1. The "Jew" in Cinema: From "The Golem" to "Don't Touch My Holocaust" (review)
  2. David Biale
  3. pp. 399-401
  4. DOI: 10.1353/mod.2006.0030
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  1. The Comic Worlds of Peter Arno, William Steig, Charles Addams and Saul Steinberg (review)
  2. Jonathan Daniel Greenberg
  3. pp. 401-403
  4. DOI: 10.1353/mod.2006.0043
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  1. Elizabeth Bowen: The Enforced Return (review)
  2. Melissa Fegan
  3. pp. 403-405
  4. DOI: 10.1353/mod.2006.0038
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  1. On Mourning: Theories of Loss in Modern Literature (review)
  2. Patricia Rae
  3. pp. 405-407
  4. DOI: 10.1353/mod.2006.0050
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  1. What Do Pictures Want?: The Lives and Loves of Images (review)
  2. Mary Ann Caws
  3. pp. 407-408
  4. DOI: 10.1353/mod.2006.0032
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  1. On Louise Gluck: Change What You See (review)
  2. Nicole Devarenne
  3. pp. 409-410
  4. DOI: 10.1353/mod.2006.0034
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  1. Conversations with Don DeLillo (review)
  2. Marni J. Gauthier
  3. pp. 410-412
  4. DOI: 10.1353/mod.2006.0041
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  1. Recent Books of Interest
  3. pp. 413-418
  4. DOI: 10.1353/mod.2006.0031
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