restricted access   Volume 13, Number 2, April 2006

Table of Contents

From: Modernism/modernity

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This is Not a Movie: Ulysses and Cinema

pp. 219-235
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DOI: 10.1353/mod.2006.0035
Maria DiBattista
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T. S. Eliot and Cinema

pp. 237-265
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DOI: 10.1353/mod.2006.0053
David Trotter
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"A new form of true beauty": Aesthetics and Early Film Criticism

pp. 267-289
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DOI: 10.1353/mod.2006.0046
Laura Marcus
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White Christmas, or Modernism

pp. 291-308
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DOI: 10.1353/mod.2006.0051
John David Rhodes
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"The Grand Heretics of Modern Fiction": Laura Riding, John Cowper Powys, and the Subjective Correlative

pp. 309-323
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DOI: 10.1353/mod.2006.0047
Jerome J. McGann
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Petalbent Devils: Louis Zukofsky, Lorine Niedecker, and the Surrealist Praying Mantis

pp. 325-347
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DOI: 10.1353/mod.2006.0042
Michael Golston
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Less Light: The End(s) of Aestheticism in Pater, Ondaatje, and Sebald

pp. 349-366
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DOI: 10.1353/mod.2006.0052
Natania Rosenfeld
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Review Essays

Spooky Joyce

pp. 367-373
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DOI: 10.1353/mod.2006.0040
Finn Fordham
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The New Harlem Renaissance Studies

pp. 375-382
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DOI: 10.1353/mod.2006.0033
David Chinitz
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Book Reviews

Ugly Feelings (review)

pp. 383-385
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DOI: 10.1353/mod.2006.0039
Jennifer Fleissner
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The Artist As Producer: Russian Constructivism in Revolution (review)

pp. 385-387
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DOI: 10.1353/mod.2006.0037
Charlotte Douglas
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Italian Modernism: Italian Culture between Decadentism and Avant-Garde (review)

pp. 388-389
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DOI: 10.1353/mod.2006.0045
Andrew Harrison
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Modernism and the Culture of Celebrity (review)

pp. 389-390
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DOI: 10.1353/mod.2006.0044
Faye Hammill
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The G-String Murders (review)

pp. 391-393
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DOI: 10.1353/mod.2006.0036
Maria DiBattista
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Bunny Lake Is Missing (review)

pp. 393-394
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DOI: 10.1353/mod.2006.0048
Katherine Mullin
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Cinematic Modernism: Modernist Poetry and Film (review)

pp. 394-396
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DOI: 10.1353/mod.2006.0054
David Trotter
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Cinema's Conversion to Sound: Technology and Film Style in France and the U.S. (review)

pp. 396-397
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DOI: 10.1353/mod.2006.0029
Martin Barnier
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A Culture of Light: Cinema and Technology in 1920s Germany (review)

pp. 397-399
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DOI: 10.1353/mod.2006.0049
Charles O'Brien
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The "Jew" in Cinema: From "The Golem" to "Don't Touch My Holocaust" (review)

pp. 399-401
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DOI: 10.1353/mod.2006.0030
David Biale
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The Comic Worlds of Peter Arno, William Steig, Charles Addams and Saul Steinberg (review)

pp. 401-403
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DOI: 10.1353/mod.2006.0043
Jonathan Daniel Greenberg
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Elizabeth Bowen: The Enforced Return (review)

pp. 403-405
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DOI: 10.1353/mod.2006.0038
Melissa Fegan
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On Mourning: Theories of Loss in Modern Literature (review)

pp. 405-407
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DOI: 10.1353/mod.2006.0050
Patricia Rae
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What Do Pictures Want?: The Lives and Loves of Images (review)

pp. 407-408
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DOI: 10.1353/mod.2006.0032
Mary Ann Caws
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On Louise Gluck: Change What You See (review)

pp. 409-410
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DOI: 10.1353/mod.2006.0034
Nicole Devarenne
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Conversations with Don DeLillo (review)

pp. 410-412
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DOI: 10.1353/mod.2006.0041
Marni J. Gauthier
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Recent Book of Interest

Recent Books of Interest

pp. 413-418
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DOI: 10.1353/mod.2006.0031
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