1. Matthew Barney and the Paradox of the Neo-Avant-Garde Blockbuster
  2. Alexandra Keller, Frazer Ward
  3. pp. 3-16
  4. DOI: 10.1353/cj.2006.0017
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  1. The Academy and the Avant-Garde: A Relationship of Dependence and Resistance
  2. Michael Zryd
  3. pp. 17-42
  4. DOI: 10.1353/cj.2006.0023
  5. open access View | Download |
  1. Portrait of a Patriot's Son: Philip Ahn and Korean Diasporic Identities in Hollywood
  2. Hye Seung Chung
  3. pp. 43-67
  4. DOI: 10.1353/cj.2006.0014
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  1. Benshi as Stars: The Irony of the Popularity and Respectability of Voice Performers in Japanese Cinema
  2. Hideaki Fujiki
  3. pp. 68-84
  4. DOI: 10.1353/cj.2006.0016
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  1. In Focus: Writing for the American Screen
  2. James Schamus
  3. pp. 85-86
  4. DOI: 10.1353/cj.2006.0021
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  1. What a Screenplay Isn't
  2. Howard A. Rodman
  3. pp. 86-89
  4. DOI: 10.1353/cj.2006.0020
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  1. Split Personality: Random Thoughts on Writing for Theater and Film
  2. José Rivera
  3. pp. 89-92
  4. DOI: 10.1353/cj.2006.0019
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  1. Documentary by Design
  2. Sydnye White
  3. pp. 92-95
  4. DOI: 10.1353/cj.2006.0022
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  1. Writers United?
  2. John Auerbach
  3. pp. 95-101
  4. DOI: 10.1353/cj.2006.0013
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  1. My Unexpected Life in the Mainstream
  2. Jan Oxenberg
  3. pp. 101-106
  4. DOI: 10.1353/cj.2006.0018
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  1. Contributors
  2. pp. 106-107
  3. DOI: 10.1353/cj.2006.0015
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