restricted access   Volume 21, Number 3, Summer 2005

Table of Contents

From: The Opera Quarterly

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A Note from the Executive Editor

pp. 413-415

Apologia for Erik

pp. 416-429

Undoing the Discourse of Fate: The Case of Der fliegende Hollander

pp. 430-451

Wagner's "Pale" Senta

pp. 452-464

The Diabolical Senta

pp. 465-485

A Picture-Perfect Man? Senta, Absorption, and Wagnerian Theatricality

pp. 486-495

Melodramatic Possessions: The Flying Dutchman, South Africa, and the Imperial Stage, ca. 1830

pp. 496-514

Notes from the Stage: Der fliegende Holländer

Notes from the Stage: Der fliegende Hollander

p. 515

A Note about the Staging

pp. 515-517

Remarks on the Munich Production

pp. 518-521


Lina Cavalieri: The Life of Opera's Greatest Beauty, 1874-1944 (review)

pp. 522-525

The Inner Voice: The Making of a Singer (review)

pp. 525-528

Opera: A Critic's Guide to the 100 Most Important Works and the Best Recordings (review)

pp. 528-530

From Johnson's Kids to Lemonade Opera: The American Classical Singer Comes of Age (review)

pp. 530-533

American Opera Singers and Their Recordings: Critical Commentaries and Discographies (review)

pp. 533-537

Books Received

p. 538


Rigoletto: Live Master Classes: Tito Gobbi Opera Workshop (review)

pp. 539-545

"A Callas Recording Update". .. Updated

pp. 545-546

Giulia e Sesto Pompeo (review)

pp. 546-551

Norma (review)

pp. 551-555

Mala vita, and: Siberia (review)

pp. 556-560

The Poisoned Kiss (review)

pp. 561-563

Recordings Received

pp. 563-566

Videos Received

Videos Received

p. 567


Contributors to This Issue

pp. 568-570