1. Reimagining the Flaneur: The Hero of the Novel in Lukacs, Bakhtin, and Girard
  2. Mary Gluck
  3. pp. 747-764
  4. DOI: 10.1353/mod.2006.0005
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  1. Possession: Intimate Artifice at The Menil Collection
  2. Pamela Smart
  3. pp. 765-785
  4. DOI: 10.1353/mod.2006.0022
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  1. Oppen's Silence, Crusoe's Silence and the Silence of Other Minds
  2. Oren Izenberg
  3. pp. 787-811
  4. DOI: 10.1353/mod.2006.0020
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  1. The Paradoxical Poetics of Edith Sodergran
  2. Ursula Lindqvist
  3. pp. 813-833
  4. DOI: 10.1353/mod.2006.0026
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  1. The Rhetoric of Efficiency in Early Modernism
  2. Suzanne Raitt
  3. pp. 835-851
  4. DOI: 10.1353/mod.2006.0016
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  1. Did it Flow?: Bridging Aesthetics and History in Joyce's Ulysses
  2. Ariela Freedman
  3. pp. 853-868
  4. DOI: 10.1353/mod.2006.0024
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  1. Ulysses: Mired in the Universal
  2. Evan Cory Horowitz
  3. pp. 869-887
  4. DOI: 10.1353/mod.2006.0017
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  1. Margherita Sarfatti & Italian Cultural Nationalism
  2. Catherine E. Paul, Barbara Zaczek
  3. pp. 889-916
  4. DOI: 10.1353/mod.2006.0004
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  1. "Eliot Without Tears"
  2. Jason Harding
  3. pp. 917-924
  4. DOI: 10.1353/mod.2006.0008
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  1. Experience Without Qualities: Boredom and Modernity (review)
  2. Janet Wolff
  3. pp. 925-927
  4. DOI: 10.1353/mod.2006.0003
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  1. Cezanne and the Eternal Feminine (review)
  2. Charles Harrison
  3. pp. 927-929
  4. DOI: 10.1353/mod.2006.0011
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  1. Maximilian Voloshin and the Russian Literary Circle: Culture and Survival in Revolutionary Times (review)
  2. Sarah Pratt
  3. pp. 929-931
  4. DOI: 10.1353/mod.2006.0013
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  1. The Return of the Baroque in Modern Culture (review)
  2. Monika Kaup
  3. pp. 931-933
  4. DOI: 10.1353/mod.2006.0023
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  1. The Letters of Lytton Strachey (review)
  2. Todd Avery
  3. pp. 934-935
  4. DOI: 10.1353/mod.2006.0009
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  1. Ezra Pound: A Literary Life (review)
  2. Tim Redman
  3. pp. 935-936
  4. DOI: 10.1353/mod.2006.0019
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  1. Joyce/Foucault: Sexual Confessions (review)
  2. Vike Martina Plock
  3. pp. 937-938
  4. DOI: 10.1353/mod.2006.0010
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  1. George Orwell and the Radical Eccentrics: Intermodernism in Literary London (review)
  2. Lisa Colletta
  3. pp. 938-940
  4. DOI: 10.1353/mod.2006.0015
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  1. Popular Front Paris and the Poetics of Culture (review)
  2. Eugen Weber
  3. pp. 940-941
  4. DOI: 10.1353/mod.2006.0028
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  1. Modernism and Nationalism: Literature and Society in Scotland 1918-1939, and: Modern Scottish Poetry (review)
  2. Nancy K. Gish
  3. pp. 942-945
  4. DOI: 10.1353/mod.2006.0002
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  1. Hoodlums: Black Villains and Social Bandits in American Life (review)
  2. Kathleen Pfeiffer
  3. pp. 945-946
  4. DOI: 10.1353/mod.2006.0007
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  1. Manliness & Its Discontents: The Black Middle Class & the Transformation of Masculinity, 1900-1930 (review)
  2. W. Lawrence Hogue
  3. pp. 946-948
  4. DOI: 10.1353/mod.2006.0014
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  1. Literature, Technology, and Modernity, 1860-2000 (review)
  2. John Xiros Cooper
  3. pp. 948-950
  4. DOI: 10.1353/mod.2006.0018
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  1. The Films of Orson Welles (review)
  2. Edward Gallafent
  3. pp. 950-951
  4. DOI: 10.1353/mod.2006.0027
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  1. John Ashbery: Selected Prose (review)
  2. Bonnie Costello
  3. pp. 952-954
  4. DOI: 10.1353/mod.2006.0021
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  1. Light in a Dark Room: Photography and Loss (review)
  2. Michael North
  3. pp. 955-956
  4. DOI: 10.1353/mod.2006.0001
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  1. American Cold War Culture (review)
  2. Susan L. Carruthers
  3. pp. 956-958
  4. DOI: 10.1353/mod.2006.0006
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  1. Beyond the Image Machine: A History of Visual Technologies (review)
  2. K Warwick
  3. pp. 958-960
  4. DOI: 10.1353/mod.2006.0025
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  1. Recent Books of Interest
  3. pp. 961-964
  4. DOI: 10.1353/mod.2006.0012
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