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Table of Contents

  1. Back Projection: Visualizing Past and Present Europe in Zentropa
  2. Rosalind Galt
  3. pp. 3-21
  4. DOI: https://doi.org/10.1353/cj.2006.0006
  5. restricted access
  1. "Military Enlightenment" for the Masses: Generic and Cultural Intermixing in South Korea's Golden Age War Films
  2. David Scott Diffrient
  3. pp. 22-49
  4. DOI: https://doi.org/10.1353/cj.2006.0005
  5. restricted access
  1. Homologies of Space: Text and Spectatorship in All-Male Adult Theaters
  2. José B. Capino
  3. pp. 50-65
  4. DOI: https://doi.org/10.1353/cj.2006.0003
  5. restricted access
  1. Radical Sissies and Stereotyped Fairies in Laurie Lynd's The Fairy Who Didn't Want to Be a Fairy Anymore
  2. Gilad Padva
  3. pp. 66-78
  4. DOI: https://doi.org/10.1353/cj.2006.0011
  5. restricted access
  1. In Focus: The Place of Television Studies
  2. William, Professor Boddy
  3. pp. 79-82
  4. DOI: https://doi.org/10.1353/cj.2006.0002
  5. restricted access
  1. TV's Next Season?
  2. Lynn Spigel
  3. pp. 83-90
  4. DOI: https://doi.org/10.1353/cj.2006.0012
  5. restricted access
  1. Welcome to the Viral Future of Cinema (Television)
  2. John Thornton Caldwell
  3. pp. 90-97
  4. DOI: https://doi.org/10.1353/cj.2006.0001
  5. restricted access
  1. Turn Off TV Studies!
  2. Toby Miller
  3. pp. 98-101
  4. DOI: https://doi.org/10.1353/cj.2006.0009
  5. restricted access
  1. Is Screen Studies a Load of Old Cobblers? And If So, Is That Good?
  2. John Hartley
  3. pp. 101-106
  4. DOI: https://doi.org/10.1353/cj.2006.0007
  5. restricted access
  1. Studying Television: Same Questions, Different Contexts
  2. Horace Newcomb
  3. pp. 107-111
  4. DOI: https://doi.org/10.1353/cj.2006.0010
  5. restricted access
  1. The Bad Object: Television in the American Academy
  2. Michele Hilmes
  3. pp. 111-116
  4. DOI: https://doi.org/10.1353/cj.2006.0008
  5. restricted access
  1. Contributors
  3. p. 117
  4. DOI: https://doi.org/10.1353/cj.2006.0004
  5. restricted access