1. Cultural Artifacts and the Narrative of History: W. E. B. Du Bois and the Exhibiting of Culture at the 1900 Paris Exposition Universelle
  2. Rebecka Rutledge Fisher
  3. pp. 741-774
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  1. "The Only Real White Democracy" and the Language of Liberation: The Great War, France, and African American Culture in the 1920s
  2. Mark Whalan
  3. pp. 775-800
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  1. Writing Home: Comparative Black Modernism and Form in Jean Toomer and Aime Cesaire
  2. Jennifer Wilks
  3. pp. 801-823
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  1. Embodied Fictions, Melancholy Migrations: Josephine Baker's Cinematic Celebrity
  2. Terri Francis
  3. pp. 824-845
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  1. Assuming the Position: Fugitivity and Futurity in the Work of Chester Himes
  2. Kevin Bell
  3. pp. 846-872
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  1. Entering the Politics of the Outside: Richard Wright's Critique of Marxism and Existentialism
  2. Jeffrey Atteberry
  3. pp. 873-895
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  1. Richard Wright's "Island of Hallucination" and the "Gibson Affair"
  2. Richard Gibson
  3. pp. 896-920
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  1. Rene, Louis, and Leopold: Senghorian Negritude as a Black Humanism
  2. Michel Fabre, Randall Cherry, Jonathan P. Eburne
  3. pp. 921-935
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  1. Nos Ancetres, les Diallobes : Cheikh Hamidou Kane's Ambiguous Adventure and the Paradoxes of Islamic Negritude
  2. Marc Caplan
  3. pp. 936-957
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  1. Redefining Paris: Trans-Modernity and Francophone African Migritude Fiction
  2. Pius Adesanmi
  3. pp. 958-975
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  1. Afterword: Europhilia, Francophilia, Negrophilia in the Making of the Modernism
  2. T. Denean Sharpley-Whiting
  3. pp. 976-978
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  1. Introduction: Paris, Capital of the Black Atlantic
  2. Jonathan P. Eburne, Jeremy Braddock
  3. pp. 731-740
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  1. Contributors
  3. pp. 979-980
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