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Browse Book and Journal Content on Project MUSE

Letter from the Editor

pp. v-vi | DOI: 10.1353/wam.2005.0004

Re-presenting Dalit Feminist Politics through Dialogical Musical Ethnography

pp. 1-12 | DOI: 10.1353/wam.2005.0012

A Resisting Performance of an Appalachian Traditional Murder Ballad: Giving Voice to "Pretty Polly"

pp. 13-36 | DOI: 10.1353/wam.2005.0008

Kate Bush's Subversive Shoes

pp. 37-50 | DOI: 10.1353/wam.2005.0007

Sounding the Frauenseele : Gender, Modernism, and Intertextuality in Alban Berg's "Uber die Grenzen," op. 4, no. 3

pp. 51-68 | DOI: 10.1353/wam.2005.0006

Nurturing Herself, Nurturing Her Baby: Creating Positive Experiences for First-time Mothers through Lullaby Singing

pp. 69-89 | DOI: 10.1353/wam.2005.0010

(Left Out in ) Left (the Field ): The Effects of Post-Postmodern Scholarship on Feminist and Gender Studies in Musicology and Ethnomusicology, 1990-2000

pp. 90-98 | DOI: 10.1353/wam.2005.0009

Theorizing Gender, Culture, and Music

Theorizing Gender, Culture, and Music

pp. 99-105 | DOI: 10.1353/wam.2005.0002

Theorizing Gender, Culture, and Music

pp. 106-110 | DOI: 10.1353/wam.2005.0013


Radical Harmonies (review)

pp. 111-116 | DOI: 10.1353/wam.2005.0011

This Is Pop: In Search of the Elusive at Experience Music Project (review)

pp. 116-119 | DOI: 10.1353/wam.2005.0005

Right to Rock: The Black Rock Coalition and the Cultural Politics of Race (review)

pp. 119-121 | DOI: 10.1353/wam.2005.0003



pp. 122-123 | DOI: 10.1353/wam.2005.0001

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