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Browse Book and Journal Content on Project MUSE

  Volume 5, Number 2, Fall 2005

Table of Contents

From: The Moving Image

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Editor's Foreword

pp. vi-vii


Charlie Silveus Makes a Quotidian Spectacle: An Exhibitor-Filmmaker and His Local View

pp. 1-25

The Strange Case of The Fall of Jerusalem : Orphans and Film Identification

pp. 26-49

Popular Ethnography and Public Consumption: Sites of Contestation in Museum-Sponsored Expeditionary Film

pp. 50-78

Dirty Little Secrets: Scholars, Archivists, and Dirty Movies

pp. 79-105

"White Slavery" Versus the Ethnography of "Sexworkers": Women in Stag Films at the Kinsey Archive

pp. 107-134


Home Viewing: Pornography and Amateur Film Collections, A Case Study

pp. 136-140

Restoring The Big Parade

pp. 140-146

A Note on "Cinema's Founding Myth"

pp. 146-147


Cinefest: Hamburg, November 13-21, 2004 (review)

pp. 148-150


More Treasures from American Film Archives, 1894-1931 (review)

pp. 150-153

The Music for More Treasures from American Film Archives, 1894-1931 (review)

pp. 154-157

Legong: Dance of the Virgins (review)

pp. 157-158


The Film Preservation Guide: The Basics for Archives, Libraries, and Museums, and: IPI Media Storage Quick Reference (review)

pp. 158-160

Hollywood Outsiders: The Adaptation of the Film Industry, 1913-1934 (review)

pp. 160-163

Policing Cinema: Movies and Censorship in Early-Twentieth-Century America (review)

pp. 163-165

Reframing British Cinema, 1918-1928: Between Restraint and Passion (review)

pp. 165-167

Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (review)

pp. 167-169



pp. 170-171

Research Areas


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