1. Charlie Silveus Makes a Quotidian Spectacle: An Exhibitor-Filmmaker and His Local View
  2. Michael Aronson
  3. pp. 1-25
  4. DOI: 10.1353/mov.2005.0022
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  1. The Strange Case of The Fall of Jerusalem : Orphans and Film Identification
  2. Jan-Christopher Horak
  3. pp. 26-49
  4. DOI: 10.1353/mov.2005.0029
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  1. Popular Ethnography and Public Consumption: Sites of Contestation in Museum-Sponsored Expeditionary Film
  2. Amy J. Staples
  3. pp. 50-78
  4. DOI: 10.1353/mov.2005.0036
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  1. Dirty Little Secrets: Scholars, Archivists, and Dirty Movies
  2. Eric Schaefer
  3. pp. 79-105
  4. DOI: 10.1353/mov.2005.0034
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  1. "White Slavery" Versus the Ethnography of "Sexworkers": Women in Stag Films at the Kinsey Archive
  2. Linda Williams
  3. pp. 107-134
  4. DOI: 10.1353/mov.2005.0039
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  1. Home Viewing: Pornography and Amateur Film Collections, A Case Study
  2. Dwight Swanson
  3. pp. 136-140
  4. DOI: 10.1353/mov.2005.0037
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  1. Restoring The Big Parade
  2. Richard P. May
  3. pp. 140-146
  4. DOI: 10.1353/mov.2005.0033
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  1. A Note on "Cinema's Founding Myth"
  2. Ray Zone
  3. pp. 146-147
  4. DOI: 10.1353/mov.2005.0040
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  1. Cinefest: Hamburg, November 13-21, 2004 (review)
  2. Ingrid Scheib-Rothbart
  3. pp. 148-150
  4. DOI: 10.1353/mov.2005.0035
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  1. More Treasures from American Film Archives, 1894-1931 (review)
  2. Thomas Patrick Doherty
  3. pp. 150-153
  4. DOI: 10.1353/mov.2005.0025
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  1. The Music for More Treasures from American Film Archives, 1894-1931 (review)
  2. Julie Hubbert
  3. pp. 154-157
  4. DOI: 10.1353/mov.2005.0031
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  1. Legong: Dance of the Virgins (review)
  2. Karl G. Heider
  3. pp. 157-158
  4. DOI: 10.1353/mov.2005.0027
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  1. Hollywood Outsiders: The Adaptation of the Film Industry, 1913-1934 (review)
  2. Keating Patrick
  3. pp. 160-163
  4. DOI: 10.1353/mov.2005.0032
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  1. Policing Cinema: Movies and Censorship in Early-Twentieth-Century America (review)
  2. Jan-Christopher Horak
  3. pp. 163-165
  4. DOI: 10.1353/mov.2005.0030
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  1. Reframing British Cinema, 1918-1928: Between Restraint and Passion (review)
  2. Michele L. Torre
  3. pp. 165-167
  4. DOI: 10.1353/mov.2005.0038
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  1. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity (review)
  2. Peter Decherney
  3. pp. 167-169
  4. DOI: 10.1353/mov.2005.0024
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  1. Editor's Foreword
  2. Jan-Christopher Horak
  3. pp. vi-vii
  4. DOI: 10.1353/mov.2005.0028
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  1. Contributors
  2. pp. 170-171
  3. DOI: 10.1353/mov.2005.0023
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