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In this Issue

Table of Contents

  1. Making an Initial Impression: Lassus's First Book of Five-Part Madrigals
  2. Sarah M. Stoycos
  3. pp. 537-559
  4. restricted access
  1. 'Mr Harris's Score': A New Look at the 'Mathews' Manuscript of Handel's 'Messiah'
  2. Donald Burrows
  3. pp. 560-572
  4. restricted access
  1. Darius Milhaud and the Debate on Polytonality in the French Press of the 1920s
  2. Francois de Medicis
  3. pp. 573-591
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  1. Britten's Musical Syllables
  2. Shersten Johnson
  3. pp. 592-622
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  1. Musical Instruments: History, Technology, and Performance of Instruments of Western Music (review)
  2. Jeremy Montagu
  3. pp. 623-625
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  1. "L'Eglise des Francais" de Strasbourg (1538-1563): Rayonnement europeen de sa liturgie et de ses psautiers (review)
  2. Richard Freedman
  3. pp. 625-626
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  1. Aesthetics of Opera in the Ancien Regime, 1647-1785 (review)
  2. Buford Norman
  3. pp. 626-629
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  1. The Birth of the Orchestra: History of an Institution, 1650-1815 (review)
  2. Colin Lawson
  3. pp. 629-633
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  1. Marsh of Chichester: Gentleman, Composer, Musician, Writer 1752-1828 (review)
  2. Nicholas Temperley
  3. p. 633
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  1. Bunting's Messiah (review)
  2. Martin Adams
  3. pp. 634-636
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  1. Beethoven after Napoleon: Political Romanticism in the Late Works (review)
  2. Barry Cooper
  3. pp. 636-638
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  1. L'Opera en France et en Italie (1791-1925): Une Scene privilegiee d'echanges litteraires et musicaux. Actes du colloque franco-italien tenu a l'Academie musicale de Villecroze (16-18 octobre 1997) (review)
  2. Andreas Giger
  3. pp. 638-642
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  1. Die Anfange einer Bach-Gesamtausgabe 1801-1865 (review)
  2. James Garratt
  3. pp. 642-644
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  1. Robert Schumann--Musikalische Haus- und Lebensregeln: Faksimile mit ubertragung und Textabdruck (review)
  2. Nicholas Marston
  3. pp. 644-645
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  1. The Virtuoso Liszt (review)
  2. Jim Samson
  3. pp. 645-646
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  1. The Interpretation of Romantic and Late-Romantic Music: Papers Read at the International Organ Symposium Stockholm, 3-12 September 1998 (review)
  2. Lawrence Archbold
  3. pp. 646-648
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  1. A la Recherche "des" Requiem de Faure, ou L'Authenticite musicale en questions (review)
  2. Richard Langham Smith
  3. pp. 648-650
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  1. Hugo Wolf: Letters to Melanie Kochert (review)
  2. Amanda Glauert
  3. pp. 650-652
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  1. Puccini: His Life and Works (review)
  2. Alexandra Wilson
  3. pp. 652-654
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  1. The Cambridge Companion to Elgar (review)
  2. Matthew Riley
  3. pp. 654-658
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  1. The Cambridge Companion to Debussy, and: Claude Debussy As I Knew Him and Other Writings by Arthur Hartmann (review)
  2. James R. Briscoe
  3. pp. 658-664
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  1. The Artist-Operas of Pfitzner, Krenek and Hindemith: Politics and the Ideology of the Artist (review)
  2. Nanette Nielsen
  3. pp. 664-668
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  1. Letters from a Life: Selected Letters of Benjamin Britten, Vol. 3: 1946-1951 (review)
  2. Arnold Whittall
  3. pp. 668-669
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  1. Winter Music: Composing the North (review)
  2. Daniel M. Grimley
  3. pp. 669-671
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  1. Dhrupad: Tradition and Performance in Indian Music (review)
  2. Peter Lamarche Manuel
  3. pp. 671-673
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  1. Musical Excellence: Strategies and Techniques to Enhance Performance (review)
  2. Renee Timmers
  3. pp. 673-675
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  1. Melodien aus mittelalterlichen Horaz-Handschriften: Edition und Interpretation der Quellen (review)
  2. James Grier
  3. pp. 676-677
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  1. Complete Works: I (Latin Motets) (review)
  2. John Morehen
  3. pp. 677-679
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  1. Ayres, or Fa La's for Three Voyces (1627) (review)
  2. David Pinto
  3. pp. 679-681
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  1. 'fitt for the Manicorde': A Seventeenth-Century English Collection of Keyboard Music (review)
  2. Barry Cooper
  3. pp. 682-683
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  1. Symphonies, Part 1: The Salisbury and Canterbury Symphonies (1778-1784); Part 2: The Chichester Symphonies and Finales (1778-1801) (review)
  2. Peter Horton
  3. pp. 683-684
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  1. Correspondence
  2. Roger Wibberley, Richard Turbet
  3. pp. 685-687
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  1. 'Music & Letters' Awards
  3. p. 689
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  1. Authors of Articles in this Issue
  3. p. 689
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  1. Books Received
  3. pp. 690-692
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