1. Rap in Indonesian Youth Music of the 1990s: "Globalization," "Outlaw Genres," and Social Protest
  2. Michael Bodden
  3. pp. 1-26
  4. DOI: 10.1353/amu.2005.0015
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  1. Singing the Past: Vietnamese Ca Tru, Memory, and Mode
  2. Barley Norton
  3. pp. 27-56
  4. DOI: 10.1353/amu.2005.0023
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  1. Not Your Grandfather's Music: Tsugaru Shamisen Blurs the Lines Between "Folk," "Traditional," and "Pop"
  2. Michael S. Peluse
  3. pp. 57-80
  4. DOI: 10.1353/amu.2005.0024
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  1. Mind, Body, Spirit, and Soul: A Filipino Epistemology of Adeptness in Musical Performance
  2. Manolete Mora
  3. pp. 81-95
  4. DOI: 10.1353/amu.2005.0022
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  1. From Country Hick to Rural Hip: A New Identity Through Music for Northeast Thailand
  2. Terry E. Miller
  3. pp. 96-106
  4. DOI: 10.1353/amu.2005.0014
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  1. The Musical Arts of Ancient China (review)
  2. Tong Soon Lee
  3. pp. 107-108
  4. DOI: 10.1353/amu.2005.0020
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  1. Vintage Tabla Repertory (review)
  2. Greg Booth
  3. pp. 108-109
  4. DOI: 10.1353/amu.2005.0016
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  1. Power Plays: Wayang Golek Puppet Theater of West Java (review)
  2. Sean Williams
  3. pp. 109-113
  4. DOI: 10.1353/amu.2005.0025
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  1. Drumming and Chanting in God's Own Country: The Temple Music of Kerala in South India (review)
  2. Rolf Groesbeck
  3. pp. 114-116
  4. DOI: 10.1353/amu.2005.0019
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  1. Sidi Sufis: African Indian Mystics of Gujarat (review)
  2. Alison Arnold
  3. pp. 117-120
  4. DOI: 10.1353/amu.2005.0013
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  1. Music of the Gambuh Theater: Bali's Ancient Dance Drama (review)
  2. Marc Perlman
  3. pp. 120-125
  4. DOI: 10.1353/amu.2005.0021
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  1. Play the Saluang Flute, Use Your Fifth Finger: Lyrical Songs from Payakumbuh, West Sumatra (review)
  2. David Goldsworthy
  3. pp. 126-128
  4. DOI: 10.1353/amu.2005.0018
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  1. About the Contributors
  2. pp. 129-131
  3. DOI: 10.1353/amu.2005.0017
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