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  Volume 22, Number 2, Fall 2005

Table of Contents

From: Asian Theatre Journal

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Editor's Note

pp. iii-iv


Topeng Sidha Karya: A Balinese Mask Dance Performed by I Ketut Kodi with I Gusti Putu Sudarta, I Nyoman Sedana, and I Made Sidia in Sidha Karya, Badung, Bali, 16 October 2002

pp. 171-198


Balinese Mask Dance from the Perspective of a Master Artist: I Ketut Kodi on Topeng

pp. 199-213

Mask, Gender, and Performance in Indonesia: An Interview with Didik Nini Thowok

pp. 214-226


Lions, Witches, and Happy Old Men: Some Parallels between Balinese and Japanese Ritual Masks

pp. 227-248

Masks, Interface of Past and Future: Nomura Mannojo's Shingigaku

pp. 249-268

Only Joking? The Relationship between the Clown and Percussion in Jingju

pp. 269-292

Emerging Scholar Paper

The Mardi Gras Boys of Singapore's English-Language Theatre

pp. 293-309


Chinese-Speaking Theatre In Perspective: A Symposium

pp. 310-323

Woman and the Changing World on Alternative Global Stage: Sixth Women Playwrights International Conference

pp. 324-333

Putul Yatra: A Celebration of Indian Puppetry

pp. 334-347

Performance Review

Samritechak (review)

pp. 348-352

Book Reviews

The Ethos of Noh : Actors and Their Art (review)

pp. 353-356

The Theatre of Suzuki Tadashi (review)

pp. 356-361

Balinese Dance, Drama and Music: A Guide to the Performing Arts of Bali (review)

pp. 361-362

Trance and Transformation of the Actor: Japanese Noh and Balinese Masked Dance-Drama (review)

pp. 361-364

Gamelan: The Traditional Sounds of Indonesia (review)

pp. 365-366

Power Plays: Wayang Golek Theater of West Java (review)

pp. 366-368

Significant Other: Staging the American in China (review)

pp. 368-371

Shashibiya : Staging Shakespeare in China (review)

pp. 371-374

Color Insert

Color Insert

p. 2005