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Table of Contents

  1. Introduction
  2. Jean-Michel Rabaté
  3. pp. iv-vii
  4. DOI: https://doi.org/10.1353/jml.2005.0042
  5. restricted access
  1. Prufrock in St. Petersburg: The Presence of Dostoyevsky's Crime and Punishment in T. S. Eliot's 'The Love Song of J. Alfred Prufrock'
  2. Peter Lowe
  3. pp. 1-24
  4. DOI: https://doi.org/10.1353/jml.2005.0038
  5. restricted access
  1. Masochistic Modernisms: A Reading of Eliot and Woolf
  2. Eve Sorum
  3. pp. 25-43
  4. DOI: https://doi.org/10.1353/jml.2005.0044
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  1. The Censorship and Transmission of D. H. Lawrence's Pansies : The Home Office and the "Foul-Mouthed Fellow"
  2. Christopher Pollnitz
  3. pp. 44-71
  4. DOI: https://doi.org/10.1353/jml.2005.0041
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  1. Architecture in Frost and Stevens
  2. David Spurr
  3. pp. 72-86
  4. DOI: https://doi.org/10.2979/jml.2005.28.3.72
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  1. W. H. Auden and the Jews
  2. Beth Ellen Roberts
  3. pp. 87-108
  4. DOI: https://doi.org/10.2979/jml.2005.28.3.87
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  1. Neutrality and Commitment: MacNeice, Yeats, Ireland and the Second World War
  2. Richard Danson Brown
  3. pp. 109-129
  4. DOI: https://doi.org/10.1353/jml.2005.0035
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  1. Milan Kundera: A Modern History of Humor amid the Comedy of History
  2. Mark Weeks
  3. pp. 130-148
  4. DOI: https://doi.org/10.1353/jml.2005.0046
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  1. Strolling with Houellebecq: The Textual Terrain of Postmodern Flanerie
  2. Katherine Gantz
  3. pp. 149-161
  4. DOI: https://doi.org/10.1353/jml.2005.0037
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  1. A daintical pair of accomplasses
  2. David Pierce
  3. pp. 162-169
  4. DOI: https://doi.org/10.1353/jml.2005.0040
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  1. Lucia Joyce as Cordelia and the Fool
  2. Jody McAuliffe
  3. pp. 170-182
  4. DOI: https://doi.org/10.1353/jml.2005.0039
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  1. Contributors
  3. pp. 183-184
  4. DOI: https://doi.org/10.1353/jml.2005.0036
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