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  Volume 48, Number 2, Summer 2005

Table of Contents

From: Modern Drama: world drama from 1850 to the present

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Special Issue: Other Transnationals: Asian Diaspora in Performance

Guest Editor: Yan Haiping

Other Transnationals: An Introductory Essay

pp. 225-248
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Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition

pp. 249-271
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Performing the "Filipino" at the Crossroads: Filipino Bands in Five-Star Hotels Throughout Asia

pp. 272-296
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Melancholia of Freedom: Humour and Nostalgia among Indians in South Africa

pp. 297-315
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Dancing on the Hyphen: Performing Diasporic Subjectivity

pp. 316-345
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I Think Only Our Kisses Really Translated

pp. 344-371
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Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh

pp. 372-407
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Unimaginable Communities: Identities in Traffic in Rukhsana Ahmad's Black Shalwar

pp. 407-427
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Afterword: Brief Meditation on Diaspora Studies

pp. 428-439
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Reviews

Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)

pp. 440-444
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Post-imperial Brecht: Politics and Performance, East and South (review)

pp. 444-448
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The Past as Present in the Drama of August Wilson (review)

pp. 448-452
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The Cambridge Companion to David Mamet (review)

pp. 452-454
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The Drama of Fallen France: Reading la Comedie sans Tickets (review)

pp. 454-457
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Dodin and the Maly Drama Theatre: Process to Performance (review)

pp. 457-459
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Steven Berkoff and the Theatre of Self-Performance (review)

pp. 459-461
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Reading the Material Theatre (review)

pp. 461-463
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Disability and Contemporary Performance: Bodies on Edge (review)

pp. 463-465
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Captive Audience: Prison and Captivity in Contemporary Theatre (review)

pp. 465-468
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Contributors

Contributors

pp. 468-470
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Research Areas

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