We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 48, Number 2, Summer 2005

Table of Contents

From: Modern Drama: world drama from 1850 to the present

Previous Issue Next Issue

Special Issue: Other Transnationals: Asian Diaspora in Performance

Guest Editor: Yan Haiping

Other Transnationals: An Introductory Essay

pp. 225-248

Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition

pp. 249-271

Performing the "Filipino" at the Crossroads: Filipino Bands in Five-Star Hotels Throughout Asia

pp. 272-296

Melancholia of Freedom: Humour and Nostalgia among Indians in South Africa

pp. 297-315

Dancing on the Hyphen: Performing Diasporic Subjectivity

pp. 316-345

I Think Only Our Kisses Really Translated

pp. 344-371

Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh

pp. 372-407

Unimaginable Communities: Identities in Traffic in Rukhsana Ahmad's Black Shalwar

pp. 407-427

Afterword: Brief Meditation on Diaspora Studies

pp. 428-439


Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)

pp. 440-444

Post-imperial Brecht: Politics and Performance, East and South (review)

pp. 444-448

The Past as Present in the Drama of August Wilson (review)

pp. 448-452

The Cambridge Companion to David Mamet (review)

pp. 452-454

The Drama of Fallen France: Reading la Comedie sans Tickets (review)

pp. 454-457

Dodin and the Maly Drama Theatre: Process to Performance (review)

pp. 457-459

Steven Berkoff and the Theatre of Self-Performance (review)

pp. 459-461

Reading the Material Theatre (review)

pp. 461-463

Disability and Contemporary Performance: Bodies on Edge (review)

pp. 463-465

Captive Audience: Prison and Captivity in Contemporary Theatre (review)

pp. 465-468



pp. 468-470

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access