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  Volume 48, Number 2, Summer 2005

Table of Contents

From: Modern Drama: world drama from 1850 to the present

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Special Issue: Other Transnationals: Asian Diaspora in Performance

Guest Editor: Yan Haiping

Other Transnationals: An Introductory Essay

pp. 225-248 | DOI: 10.1353/mdr.2005.0041

Reimagining Political Community: Diaspora, Nation-State, and the Struggle for Recognition

pp. 249-271 | DOI: 10.1353/mdr.2005.0040

Performing the "Filipino" at the Crossroads: Filipino Bands in Five-Star Hotels Throughout Asia

pp. 272-296 | DOI: 10.1353/mdr.2005.0034

Melancholia of Freedom: Humour and Nostalgia among Indians in South Africa

pp. 297-315 | DOI: 10.1353/mdr.2005.0027

Dancing on the Hyphen: Performing Diasporic Subjectivity

pp. 316-345 | DOI: 10.1353/mdr.2005.0025

I Think Only Our Kisses Really Translated

pp. 344-371 | DOI: 10.1353/mdr.2005.0026

Transnational Legitimization of an Actor: The Life and Career of Soon-Tek Oh

pp. 372-407 | DOI: 10.1353/mdr.2005.0029

Unimaginable Communities: Identities in Traffic in Rukhsana Ahmad's Black Shalwar

pp. 407-427 | DOI: 10.1353/mdr.2005.0031

Afterword: Brief Meditation on Diaspora Studies

pp. 428-439 | DOI: 10.1353/mdr.2005.0028


Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)

pp. 440-444 | DOI: 10.1353/mdr.2005.0024

Post-imperial Brecht: Politics and Performance, East and South (review)

pp. 444-448 | DOI: 10.1353/mdr.2005.0038

The Past as Present in the Drama of August Wilson (review)

pp. 448-452 | DOI: 10.1353/mdr.2005.0023

The Cambridge Companion to David Mamet (review)

pp. 452-454 | DOI: 10.1353/mdr.2005.0033

The Drama of Fallen France: Reading la Comedie sans Tickets (review)

pp. 454-457 | DOI: 10.1353/mdr.2005.0030

Dodin and the Maly Drama Theatre: Process to Performance (review)

pp. 457-459 | DOI: 10.1353/mdr.2005.0037

Steven Berkoff and the Theatre of Self-Performance (review)

pp. 459-461 | DOI: 10.1353/mdr.2005.0035

Reading the Material Theatre (review)

pp. 461-463 | DOI: 10.1353/mdr.2005.0036

Disability and Contemporary Performance: Bodies on Edge (review)

pp. 463-465 | DOI: 10.1353/mdr.2005.0032

Captive Audience: Prison and Captivity in Contemporary Theatre (review)

pp. 465-468 | DOI: 10.1353/mdr.2005.0039



pp. 468-470 | DOI: 10.1353/mdr.2005.0022

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