1. "What a Synoptic and Artificial View Reveals": Extreme History and the Modernism of W. G. Sebald's Realism
  2. Todd Samuel Presner
  3. pp. 341-360
  4. DOI: 10.1353/crt.2005.0011
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  1. The Angel's Enigmatic Eyes, or The Gothic Beauty of Catastrophic History in W. G. Sebald's "Air War and Literature"
  2. Julia Hell
  3. pp. 361-392
  4. DOI: 10.1353/crt.2005.0005
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  1. Ethnomasquerade in Ottoman-European Encounters: Reenacting Lady Mary Wortley Montagu
  2. Kader Konuk
  3. pp. 393-414
  4. DOI: 10.1353/crt.2005.0007
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  1. Strolling in Syria with William Biddulph
  2. Gerald M. MacLean
  3. pp. 415-439
  4. DOI: 10.1353/crt.2005.0009
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  1. Saddle Time
  2. Donna Landry
  3. pp. 441-458
  4. DOI: 10.1353/crt.2005.0008
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  1. Historiography as Reenactment: Metaphors and Literalizations of TV Documentaries
  2. Katie King
  3. pp. 459-475
  4. DOI: 10.1353/crt.2005.0006
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  1. The Little Ship of Horrors: Reenacting Extreme History
  2. Iain McCalman
  3. pp. 477-486
  4. DOI: 10.1353/crt.2005.0010
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  1. The Use and Abuse of Historical Reenactment: Thoughts on Recent Trends in Public History
  2. Alexander Cook
  3. pp. 487-496
  4. DOI: 10.1353/crt.2005.0002
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  1. The Sublime Triplets of Historical Consciousness
  2. Susan A. Crane
  3. pp. 499-510
  4. DOI: 10.1353/crt.2005.0003
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  1. Some Avenues for Feeling
  2. Adam Frank
  3. pp. 511-524
  4. DOI: 10.1353/crt.2005.0004
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  1. Preface
  2. Cannon Schmitt, Richard A. Grusin, Donna Landry, Dana Seitler
  3. pp. 323-324
  4. DOI: 10.1353/crt.2005.0012
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  1. Introduction: What Is Reenactment?
  2. Vanessa Agnew
  3. pp. 327-339
  4. DOI: 10.1353/crt.2005.0001
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