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  Volume 46, Number 3, Summer 2004

Table of Contents

From: Criticism

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Special Issue: Extreme and Sentimental History

Guest Editor: Vanessa Agnew and Jonathan Lamb


pp. 323-324 | DOI: 10.1353/crt.2005.0012


Introduction: What Is Reenactment?

pp. 327-339 | DOI: 10.1353/crt.2005.0001

"What a Synoptic and Artificial View Reveals": Extreme History and the Modernism of W. G. Sebald's Realism

pp. 341-360 | DOI: 10.1353/crt.2005.0011

The Angel's Enigmatic Eyes, or The Gothic Beauty of Catastrophic History in W. G. Sebald's "Air War and Literature"

pp. 361-392 | DOI: 10.1353/crt.2005.0005

Ethnomasquerade in Ottoman-European Encounters: Reenacting Lady Mary Wortley Montagu

pp. 393-414 | DOI: 10.1353/crt.2005.0007

Strolling in Syria with William Biddulph

pp. 415-439 | DOI: 10.1353/crt.2005.0009

Saddle Time

pp. 441-458 | DOI: 10.1353/crt.2005.0008

Historiography as Reenactment: Metaphors and Literalizations of TV Documentaries

pp. 459-475 | DOI: 10.1353/crt.2005.0006

The Little Ship of Horrors: Reenacting Extreme History

pp. 477-486 | DOI: 10.1353/crt.2005.0010

The Use and Abuse of Historical Reenactment: Thoughts on Recent Trends in Public History

pp. 487-496 | DOI: 10.1353/crt.2005.0002

Reviews and Review Essays

The Sublime Triplets of Historical Consciousness

pp. 499-510 | DOI: 10.1353/crt.2005.0003

Some Avenues for Feeling

pp. 511-524 | DOI: 10.1353/crt.2005.0004

Research Areas


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